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Americas | 1901 Titles

Americas 1.00/5 2 Votes

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Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

Homecoming (2009)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Morgan J. Freeman | Cinematography by | John Burdick, Stephen Kazmierski | Editing by | Keith Reamer

Starring | Mischa Barton, Matt Long, Jessica Stroup, Michael Landes

Good Time (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie

Starring | Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Three Night Stand (2013)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis

Starring | Sam Huntington, Meaghan Rath, Darren Curtis, Robb Jamieson

Cameras | ARRI ALEXA FR Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Revelator (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 109 Minutes

Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken

Starring | Lillian Solange Beaudoin, Barrow Davis-Tolot, Shelly DeChristofaro, Joe DeSoto

Cameras | Blackmagic URSA Camera

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Too Late Blues (1961)

Motion Picture | Film Project | Black & White | 103 Minutes

Directed by | John Cassavetes | Cinematography by | Lionel Lindon | Editing by | Frank Bracht

Starring | Bobby Darin, Stella Stevens, Everett Chambers, Nick Dennis

Twixt (2011)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Kevin Bailey, Glen Scantlebury, Robert Schafer

Starring | Val Kilmer, Bruce Dern, Elle Fanning, Ben Chaplin

Cameras | Sony HDW-F900 Camera

Focus (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac

Starring | Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Manchester by the Sea (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 137 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame

Starring | Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Lenses, Canon K35 Prime Lenses

The Institute (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler

Starring | Allie Gallerani, James Franco, Joe Pease, Scott Haze

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses

Follow (2015)

Motion Picture | 2D | Color | 74 Minutes

Directed by | Owen Egerton | Cinematography by | Ellie Ann Fenton | Editing by | Sean McQueeney

Starring | Haley Lu Richardson, Don Most, Olivia Grace Applegate, Noah Segan

Cameras | Sony PMW-F55 Camera

Somewhere in the Middle (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 90 Minutes

Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit

Starring | Cassandra Freeman, Charles Miller, Marisol Miranda, Dennis Rubin Green

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Roshtalivik (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 72 Minutes

Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore

Starring | Hauke Bahr, David Charles, Lee McCarty, Jake Douglas Smith

Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

Flock of Four (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown

Starring | Braeden Lemasters, Uriah Shelton, Isaac Jay, Dylan Riley Snyder

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses

Status Update (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla

Starring | Ross Lynch, Olivia Holt, Harvey Guillén, Courtney Eaton

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses

Tú y yo (2014)

Documentary | 2D | 2K Project | Color | 1.85:1 | 87 Minutes

Directed by | Natalia Cabral, Oriol Estrada | Cinematography by | Oriol Estrada | Editing by | Oriol Estrada

Starring | Paula Lebrón, Francisca Pérez De Sosa

Cameras | Panasonic Lumix DMC-GH2 Camera

The Man in the High Castle (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Gonzalo Amat, James Hawkinson | Editing by | Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley

Starring | Alexa Davalos, Luke Kleintank, Rufus Sewell, Rupert Evans

Cameras | Red Epic Dragon Camera

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

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