Motion Picture | 11129 Titles
Razorback (1984)
Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson
Cameras | Panavision Panaflex Gold Camera
Pete Winning and the Pirates (2015)
Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis
A Christmas Prince (2017)
Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Ultra Prime Lenses
An Officer and a Spy (2019)
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze
Cameras | Sony CineAlta VENICE Camera
Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses
Mission: Impossible III (2006)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses
The Man in Room 6 (2022)
Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger
Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera
Lenses | Rokinon Lenses, SLR Magic Lenses
Persona (1966)
Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Ulla Ryghe
Cameras | Mitchell BNC Camera
Resident Evil: Welcome to Raccoon City (2021)
Directed by | Johannes Roberts | Cinematography by | Maxime Alexandre | Editing by | Dev Singh
Lenses | Hawk V-Lite Lenses
East of Hope Street (1998)
Sound of Freedom (2023)
Directed by | Alejandro Monteverde | Cinematography by | Gorka Gómez Andreu | Editing by | Brian Scofield
Cameras | ARRI ALEXA Camera
Mission: Impossible (1996)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Paul Hirsch
Cameras | Panavision Panaflex Camera, Wescam Cameras
Mission: Impossible II (2000)
Directed by | John Woo | Cinematography by | Jeffrey L. Kimball | Editing by | Steven Kemper, Christian Wagner
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leitz Summilux-C Series Lenses
Dark City (1998)
Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig
Cameras | Panavision Panaflex Gold II Camera
Mission: Impossible – Rogue Nation (2015)
Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Magnetic Beats (2021)
Directed by | Vincent Maël Cardona | Cinematography by | Brice Pancot | Editing by | Flora Volpelière
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Technovision Zeiss Standard Speed Anamorphic 100mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 200mm T2.8 Lens, Technovision Zeiss Standard Speed Anamorphic 25mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 32mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 40mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 50mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 85mm T2.1 Lens
Sick of Myself (2022)
Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli
Cameras | ARRICAM Lite (LT) Camera
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Mandy (2018)
Directed by | Panos Cosmatos | Cinematography by | Benjamin Loeb | Editing by | Brett W. Bachman, Paul Painter