Editor: Visual Effects
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Editor: Visual Effects, Visual Effects Editor
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Editor: Visual Effects, Visual Effects Editor
Final Destination 5 (2011)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Editor: Visual Effects
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Visual Effects Editor: Prime Focus
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Editor
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Editor: Visual Effects, Visual Effects Editor
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Editor - Visual Effects / Visual Effects Editor, Visual Effects Editor
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Editor: Visual Effects, Visual Effects Editor / Visual Effects Sequence Supervisor
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Editor: End Titles
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Data Manager: Digiscope
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Editor: Visual Effects, Visual Effects Editor
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Visual Effects Editor
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Editor, Visual Effects Editor / Visual Effects Sequence Supervisor
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Visual Effects Supervisor
Dusk Till Dawn 2: Texas Blood Money (1999)
Directed by: Scott Spiegel
Cinematography by: Philip Lee
Special Effects
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Editor: Visual Effects, Visual Effects Editor
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects Editor
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Visual Effects Editor: Available Light Ltd.
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Visual Effects Editor: ILM
Cocoon: The Return (1988)
Directed by: Daniel Petrie
Cinematography by: Tak Fujimoto
Edited by: Mark Warner
Visual Effects Editor
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera