Visual Effects Bidding Producer: MPC
Sonic the Hedgehog 2 (2022)
Directed by: Jeff Fowler
Cinematography by: Brandon Trost
Edited by: Jim May
Cameras: ARRI ALEXA Mini LF Camera
Editing System: Avid Editing System
Executive Vfx Producer: Cinesite Montreal
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Visual Effects Bidding Producer: MPC
The Last Duel (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Vfx Bidding Producer: MPC Film
All the Money in the World (2017)
Movie
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA XT Series Cameras
Lenses: Panavision Super Speed Lenses
Visual Effects Producer: Scoundrel
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Visual Effects Producer: Scoundrel
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Visual Effects Producer: Digital Dream
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Producer: Digital Dream
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Visual Effects Associate Producer: Digital Dream
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Visual Effects Coordinator: Digital Dream
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Visual Effects Supervisor: Digital Dream
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Associate Producer: Digital Dream
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Visual Effects Producer: Digital Dream
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Coordinator: Digital Dream
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Visual Effects Coordinator
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Coordinator: Digital Dream
Unaccompanied Minors (2006)
Directed by: Paul Feig
Cinematography by: Christopher Baffa
Digital Optical Coordinator: Pacific Title And Art Studio
The Three Burials of Melquiades Estrada (2005)
Directed by: Tommy Lee Jones
Cinematography by: Chris Menges
Edited by: Roberto Silvi
Digital Opticals Coordinator
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
3D Coordinator: Pacific Title & Art Studio
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Optical Coordinator
A Little Trip to Heaven (2005)
Directed by: Baltasar Kormákur
Cinematography by: Óttar Guðnason
3D Effects Coordinator: Pacific Title & Art Studio
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Optical Coordinator: Pacific Title & Art Studio
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Visual Effects Coordinator
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects 2D Coordinator
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Digital Effects 2D Coordinator: Digital Domain
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Visual Effects Coordinator: Digital Domain
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Visual Effects Coordinator: Digital Domain
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Associate Producer: POP Film And Animation
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Digital Coordinator: POP Film & Animation
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Digital Effects Associate Producer: POP Film And Animation
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Production Manager: POP Film
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Visual Effects Production Manager: POP Film
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Digital Production Manager: POP Film
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Digital Production Manager: POP Film
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Digital Production Manager: POP Film
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Digital Production Manager: POP Film
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Recording Technician: P.O.P Digital Film Group
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Data Wrangler: POP
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
