James J. Atkinson

23 Titles

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Iron Man Three | ShotOnWhat?

X: First Class | ShotOnWhat?

Vfx Previsualization Artist: Digital Domain

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Thor | ShotOnWhat?

Visual Effects Artist: Digital Domain

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

TRON | ShotOnWhat?

Visual Effects Artist

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The A-Team | ShotOnWhat?

Digital Artist: Digital Domain

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Digital Effects Artist

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

2012 | ShotOnWhat?

Digital Effects Artist

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Transformers: Revenge of the Fallen | ShotOnWhat?

Digital Effects Artist

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Effects Technical Director: Framestore CFC

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

The Curious Case of Benjamin Button | ShotOnWhat?

Opening Titles

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Harry Potter and the Order of the Phoenix | ShotOnWhat?

CG Effects Supervisor: Framestore CFC

Harry Potter and the Order of the Phoenix (2007)

Directed by: David Yates

Cinematography by: Slawomir Idziak

Edited by: Mark Day

Cameras: ARRI Cameras

Happy Feet | ShotOnWhat?

Effects Supervisor: Rhythm & Hues

Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Superman Returns | ShotOnWhat?

Effects Sequence Supervisor: Rhythm & Hues

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Around the World in 80 Days | ShotOnWhat?

Lighting Supervisor: Rhythm & Hues

Around the World in 80 Days (2004)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Flight of the Phoenix | ShotOnWhat?

Lighting Supervisor: Rhythm & Hues

Flight of the Phoenix (2004)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

The Chronicles of Riddick | ShotOnWhat?

Sequence Supervisor: Rhythm & Hues

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

Daredevil | ShotOnWhat?

Digital Effects Artist: Rhythm & Hues

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

X2 | ShotOnWhat?

Effects Artist: Rhythm & Hues

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

The Sum of All Fears | ShotOnWhat?

Lead Lighter: Rhythm & Hues

The Sum of All Fears (2002)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

Scooby-Doo | ShotOnWhat?

Lighter: Rhythm & Hues

Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Dr. Dolittle 2 | ShotOnWhat?

Matchmover: Rhythm & Hues

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Little Nicky | ShotOnWhat?

Match Move: Rhythm & Hues

Little Nicky (2000)

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Stuart Little | ShotOnWhat?

Compositor: Rhythm & Hues

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

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