Head Of Post-production
Nomadland (2020)
Directed by: Chloé Zhao
Cinematography by: Joshua James Richards
Cameras: ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Stereoscopic Supervisor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Stereoscopic Consultant: Legendary Pictures
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Stereoscopic Supervisor
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Stereographer: Warner Bros / Stereoscopic Producer
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Digital Intermediate Producer
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Digital Intermediate Manager
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Digital Intermediate Manager
3 Backyards (2010)
Directed by: Eric Mendelsohn
Cinematography by: Kasper Tuxen
Cameras: Red One Camera
Digital Intermediate Manager
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Digital Intermediate Manager
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Digital Intermediate Manager
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Stereoscopic Support
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Digital Intermediate Manager
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Intermediate Manager
Happythankyoumoreplease (2010)
Directed by: Josh Radnor
Cinematography by: Seamus Tierney
Edited by: Michael R. Miller
Digital Intermediate Manager
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Digital Intermediate Producer: Deluxe Digital London
Exam (2009)
Directed by: Stuart Hazeldine
Cinematography by: Tim Wooster
Edited by: Mark Talbot-Butler
Cameras: Panavision Cameras
Digital Intermediate Producer
The Duchess (2008)
Directed by: Saul Dibb
Cinematography by: Gyula Pados
Edited by: Masahiro Hirakubo
Digital Intermediate Producer
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Producer: Deluxe Digital Entertainment
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Digital Intermediate Support
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Digital Intermediate Producer
Blood and Chocolate (2007)
Directed by: Katja von Garnier
Cinematography by: Brendan Galvin
Edited by: Emma E. Hickox
Digital Intermediate Producer: Framestore CFC
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Intermediate Producer: Framestore CFC
The Last King of Scotland (2006)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Lenses: Panavision Lenses
Digital Intermediate Producer
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Digital Intermediate Producer: Framestore CFC
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Digital Intermediate Production Coordinator, Visual Effects Editorial: Framestore CFC
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Digital Grade Line Producer: Framestore CFC
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Line Producer: Framestore-CFC
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Digital Laboratory Editor
Bright Young Things (2003)
Directed by: Stephen Fry
Cinematography by: Henry Braham
Edited by: Alex Mackie
Visual Effects Editorial: Framestore CFC
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Digital Lab Editor: Framestore CFC
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Visual Effects Editor: Framestore CFC
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Digital Grade Film Editor: Framestore CFC
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Assistant Editor: Synxspeed
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Film & Technology: Framestore CFC
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Stereoscopic Producer
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
