Florian Haeger

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The Matrix Resurrections | ShotOnWhat?

Transportation Consultant

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

A Hidden Life | ShotOnWhat?

Transportation Coordinator

A Hidden Life (2019)

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

The Spy Who Dumped Me | ShotOnWhat?

Transportation Coordinator: Berlin / Transportation Coordinator: Germany

The Spy Who Dumped Me (2018)

Directed by: Susanna Fogel

Cinematography by: Barry Peterson

Edited by: Jonathan Schwartz

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

The Girl in the Spider's Web | ShotOnWhat?

Transportation Coordinator

The Girl in the Spider's Web (2018)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

Atomic Blonde | ShotOnWhat?

Transportation Coordinator: GER

Atomic Blonde (2017)

Directed by: David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Lite Vintage´74 Lens

A Cure for Wellness | ShotOnWhat?

Transportation Coordinator

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Bridge of Spies | ShotOnWhat?

Transportation Coordinator

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Transportation Coordinator: GER

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Grand Budapest Hotel | ShotOnWhat?

Transportation Coordinator

The Grand Budapest Hotel (2014)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Transportation Coordinator: GER

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Transportation Captain

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Cloud Atlas | ShotOnWhat?

Transportation Captain

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Unknown | ShotOnWhat?

Transport Coordinator: Second Unit

Unknown (2011)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Timothy Alverson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Three Musketeers | ShotOnWhat?

Transportation Captain

The Three Musketeers (2011)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Anonymous | ShotOnWhat?

Transportation Captain

Anonymous (2011)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Peter R. Adam

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Goal! III | ShotOnWhat?

Video Van Driver

Goal! III (2009)

Direct to Video

Directed by: Andrew Morahan

Cinematography by: George Tiffin

Edited by: Giles Bury

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Last Station | ShotOnWhat?

Driver

The Last Station (2009)

Directed by: Michael Hoffman

Cinematography by: Sebastian Edschmid

Edited by: Patricia Rommel

Editing System: Autodesk Smoke Editing System

The White Ribbon | ShotOnWhat?

Transportation Captain

The White Ribbon (2009)

Directed by: Michael Haneke

Cinematography by: Christian Berger

Edited by: Monika Willi

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Inglourious Basterds | ShotOnWhat?

Driver: Cast

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Bourne Ultimatum | ShotOnWhat?

Driver: Germany

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Meine schöne Bescherung | ShotOnWhat?

Production Driver

Meine schöne Bescherung (2007)

Directed by: Vanessa Jopp

Cinematography by: Hans Fromm

Edited by: Brigitta Tauchner

V for Vendetta | ShotOnWhat?

Utility Production Driver: Germany

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Joyeux Noel | ShotOnWhat?

Assistant Unit Manager: Germany, Driver: Germany

Joyeux Noel (2005)

Directed by: Christian Carion

Cinematography by: Walther van den Ende

Edited by: Judith Rivière Kawa, Andrea Sedlácková

Cameras: Aaton 35-III Camera, ARRIFLEX Camera, Panavision Cameras

Lenses: Panavision Lenses

Flightplan | ShotOnWhat?

Production Driver

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

The Bourne Supremacy | ShotOnWhat?

Production Driver

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Around the World in 80 Days | ShotOnWhat?

Production Driver: Germany

Around the World in 80 Days (2004)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

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