Music Clearance
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Music Clearance
On the Basis of Sex (2018)
Directed by: Mimi Leder
Cinematography by: Michael Grady
Edited by: Michelle Tesoro
Music Clearance
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Music Consultant
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Music Clearance
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Music Clearance
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Music Supervisor
Insidious: Chapter 3 (2015)
Directed by: Leigh Whannell
Cinematography by: Brian Pearson
Edited by: Timothy Alverson
Cameras: Sony PMW-F55 Camera
Music Supervisor
The Purge: Anarchy (2014)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Music Clearance
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Music Clearance
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Music Supervisor
Insidious: Chapter 2 (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Music Clearance
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Music Supervisor
Dark Skies (2013)
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Music Clearance
A Haunted House (2013)
Directed by: Michael Tiddes
Cinematography by: Steve Gainer
Edited by: Suzanne Hines
Music Clearance
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Music Clearance
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Music Clearance
The Babymakers (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Brad Katz
Music Clearance
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Music Clearance
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Music Clearance
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Music Clearance
I Melt with You (2011)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Don Broida
Music Clearance
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Music Clearance
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Music Clearance
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Additional Music Clearance: Sessing Music Services
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Music Clearance
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Clearance
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Music Clearance
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Music Clearance
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Music Clearance
Walkout (2006)
Directed by: Edward James Olmos
Cinematography by: Donald M. Morgan
Edited by: Michael McCusker
Music Clearance
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Music Clearance: Sessing Music Services
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Music Clearance
Hustle & Flow (2005)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Cameras: Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses: Zeiss Ultra Prime Lenses
Music Clearance
Santa's Slay (2005)
Directed by: David Steiman
Cinematography by: Matthew F. Leonetti
Music Clearance
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
