Michael T. Travers

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Avengers: Endgame | ShotOnWhat?

Additional Photography

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Transformers: Age of Extinction | ShotOnWhat?

Grip

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Star Trek Into Darkness | ShotOnWhat?

Second Company Grip: Second Unit

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Girl with the Dragon Tattoo | ShotOnWhat?

Best Boy Grip

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

Transformers: Dark of the Moon | ShotOnWhat?

The Green Hornet | ShotOnWhat?

Grip

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Grip

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Muppets | ShotOnWhat?

Grip

The Muppets (2011)

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Best Boy Grip

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Transformers: Revenge of the Fallen | ShotOnWhat?

Grip

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Wanted | ShotOnWhat?

Best Boy Grip: Chicago

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Step Brothers | ShotOnWhat?

Best Boy Grip

Step Brothers (2008)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Transformers | ShotOnWhat?

National Treasure: Book of Secrets | ShotOnWhat?

Second Company Grip

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Bucket List | ShotOnWhat?

Best Boy Grip

The Bucket List (2007)

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Deja Vu | ShotOnWhat?

Best Boy Grip

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

The Island | ShotOnWhat?

Best Boy Grip

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Freaky Friday | ShotOnWhat?

Best Boy Grip

Freaky Friday (2003)

Directed by: Mark Waters

Cinematography by: Oliver Wood

Edited by: Bruce Green

National Security | ShotOnWhat?

Best Boy Grip

National Security (2003)

Directed by: Dennis Dugan

Cinematography by: Oliver Wood

Edited by: Debra Neil-Fisher

Terminator 3: Rise of the Machines | ShotOnWhat?

Grip

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Collateral Damage | ShotOnWhat?

Best Boy Grip

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

The Master of Disguise | ShotOnWhat?

Grip

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

Pearl Harbor | ShotOnWhat?

Best Boy Grip

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

U-571 | ShotOnWhat?

Key Grip

U-571 (2000)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

Edtv | ShotOnWhat?

Grip

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

The Green Mile | ShotOnWhat?

Grip

The Green Mile (1999)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Armageddon | ShotOnWhat?

Best Boy Grip

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Face/Off | ShotOnWhat?

Best Boy Grip

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Switchback | ShotOnWhat?

Best Boy Grip / Second Company Grip

Switchback (1997)

Directed by: Jeb Stuart

Cinematography by: Oliver Wood

Edited by: Conrad Buff IV

Executive Decision | ShotOnWhat?

Grip

Executive Decision (1996)

Directed by: Stuart Baird

Cinematography by: Alex Thomson

Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste

2 Days in the Valley | ShotOnWhat?

Best Boy Grip

2 Days in the Valley (1996)

Directed by: John Herzfeld

Cinematography by: Oliver Wood

Edited by: Jim Miller, Wayne Wahrman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Cutthroat Island | ShotOnWhat?

Key Rigging Grip

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Mr. Holland's Opus | ShotOnWhat?

Best Boy Grip

Mr. Holland's Opus (1995)

Directed by: Stephen Herek

Cinematography by: Oliver Wood

Edited by: Trudy Ship

On Deadly Ground | ShotOnWhat?

Best Boy Grip

On Deadly Ground (1994)

Directed by: Steven Seagal

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

Speed | ShotOnWhat?

Grip

Speed (1994)

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Terminal Velocity | ShotOnWhat?

Best Boy Grip

Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Demolition Man | ShotOnWhat?

Grip

Demolition Man (1993)

Directed by: Marco Brambilla

Cinematography by: Alex Thomson

Edited by: Stuart Baird

Rising Sun | ShotOnWhat?

Best Boy Grip

Rising Sun (1993)

Directed by: Philip Kaufman

Cinematography by: Michael Chapman

Edited by: Stephen A. Rotter, William S. Scharf

In the Line of Fire | ShotOnWhat?

Grip

In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

Lethal Weapon 3 | ShotOnWhat?

Grip

Lethal Weapon 3 (1992)

Directed by: Richard Donner

Cinematography by: Jan de Bont

Edited by: Robert Brown, Battle Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

American Me | ShotOnWhat?

Rigging Grip

American Me (1992)

Directed by: Edward James Olmos

Cinematography by: Reynaldo Villalobos

Edited by: Richard Candib, Arthur Coburn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Sister Act | ShotOnWhat?

Best Boy Grip

Sister Act (1992)

Directed by: Emile Ardolino

Cinematography by: Adam Greenberg

Edited by: Colleen Halsey, Richard Halsey

Die Hard 2 | ShotOnWhat?

Best Boy Grip

Die Hard 2 (1990)

Directed by: Renny Harlin

Cinematography by: Oliver Wood

Edited by: Stuart Baird, Robert A. Ferretti

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kindergarten Cop | ShotOnWhat?

Best Boy Grip

Kindergarten Cop (1990)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Police Academy 6: City Under Siege | ShotOnWhat?

Grip

Police Academy 6: City Under Siege (1989)

Directed by: Peter Bonerz

Cinematography by: Charles Rosher Jr.

Edited by: Hubert de La Bouillerie

Indiana Jones and the Last Crusade | ShotOnWhat?

Grip

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

The Naked Gun: From the Files of Police Squad! | ShotOnWhat?

Best Boy Grip

The Naked Gun: From the Files of Police Squad! (1988)

Directed by: David Zucker

Cinematography by: Robert M. Stevens

Edited by: Michael Jablow

John Huston: The Man, the Movies, the Maverick | ShotOnWhat?

Best Boy Grip

John Huston: The Man, the Movies, the Maverick (1988)

Directed by: Frank Martin

Cinematography by: Harry Dawson

Edited by: Robert L. Sinise

Rambo III | ShotOnWhat?

Grip

Rambo III (1988)

Directed by: Peter MacDonald

Cinematography by: John Stanier

Edited by: O. Nicholas Brown, Andrew London, James R. Symons, Edward Warschilka

Child's Play | ShotOnWhat?

Grip

Child's Play (1988)

Directed by: Tom Holland

Cinematography by: Bill Butler

Edited by: Roy E. Peterson, Edward Warschilka

The Lost Boys | ShotOnWhat?

Grip

The Lost Boys (1987)

Directed by: Joel Schumacher

Cinematography by: Michael Chapman

Edited by: Robert Brown

The Witches of Eastwick | ShotOnWhat?

Grip

The Witches of Eastwick (1987)

Directed by: George Miller

Cinematography by: Vilmos Zsigmond

Edited by: Hubert de La Bouillerie, Richard Francis-Bruce

Swing Shift | ShotOnWhat?

Grip

Swing Shift (1984)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

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