Completion Guarantor: Film Finances
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Completion Guarantor: Film Finances
Atomic Blonde (2017)
Directed by: David Leitch
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Senior Vice President: Film Finances
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
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Term Life (2016)
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Completion Guarantor: Film Finances
Dirty Grandpa (2016)
Directed by: Dan Mazer
Cinematography by: Eric Alan Edwards
Edited by: Anne McCabe
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4 Lenses
Completion Bond Guarantor
Maggie (2015)
Directed by: Henry Hobson
Cinematography by: Lukas Ettlin
Edited by: Jane Rizzo
Completion Bond Guarantor / Completion Guarantor: Film Finances
Child 44 (2015)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
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Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
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The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
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The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
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Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Completion Bond Guarantor
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
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That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
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Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
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Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
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The Call (2013)
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
Completion Bond Guarantor / Completion Bond Provider: Film Finances
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Completion Bond: Film Finances
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Completion Bond Guarantor
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Senior Vice President: Film Finances
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
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Silent Hill: Revelation (2012)
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Completion Bond Guarantor
Jayne Mansfield's Car (2012)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Completion Bond Guarantor
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Completion Bond Services: Film Finances
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Completion Bond: Film Finances
Jeff, Who Lives at Home (2011)
Cinematography by: Jas Shelton
Edited by: Jay Deuby
Cameras: Red One MX Camera
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Friends with Kids (2011)
Directed by: Jennifer Westfeldt
Cinematography by: William Rexer
Edited by: Tara Timpone
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Completion Bond Guarantor
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Completion Bond Guarantor
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Completion Bond Guarantor
Texas Killing Fields (2011)
Directed by: Ami Canaan Mann
Cinematography by: Stuart Dryburgh
Edited by: Cindy Mollo
Cameras: Panavision Genesis Camera
Completion Bond Guarantor
Seeking Justice (2011)
Directed by: Roger Donaldson
Cinematography by: David Tattersall
Edited by: Jay Cassidy
Cameras: Panavision Genesis Camera
Completion Bond Services: Film Finances, Inc.
Rabbit Hole (2010)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Joe Klotz
Cameras: Red One Camera
Completion Bond Guarantor
The Ward (2010)
Directed by: John Carpenter
Cinematography by: Yaron Orbach
Edited by: Patrick McMahon
Cameras: Moviecam Compact MK2 Camera
Lenses: Zeiss Ultra Prime Lenses
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Twelve (2010)
Directed by: Joel Schumacher
Cinematography by: Steven Fierberg
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Henry's Crime (2010)
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
Completion Bond Guarantor
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Completion Bond Guarantor
The Runaways (2010)
Directed by: Floria Sigismondi
Cinematography by: Benoît Debie
Edited by: Richard Chew
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Master Prime Lenses
Completion Bond Guarantor
Gentlemen Broncos (2009)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Yuka Ruell
Completion Bond Guarantor
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Completion Bond Guarantor
The Boondock Saints II: All Saints Day (2009)
Directed by: Troy Duffy
Cinematography by: Miroslaw Baszak
Completion Bond Guarantor
The Joneses (2009)
Directed by: Derrick Borte
Cinematography by: Yaron Orbach
Edited by: Janice Hampton
Completion Guarantor: Film Finances
District 9 (2009)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Edited by: Julian Clarke
Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Editing System: Adobe Premiere Editing System
Completion Bond Guarantor
The Rebound (2009)
Directed by: Bart Freundlich
Cinematography by: Jonathan Freeman
Edited by: Christopher Tellefsen
Completion Bond Guarantor
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Completion Bond Guarantor
The Wrestler (2008)
Directed by: Darren Aronofsky
Cinematography by: Maryse Alberti
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera
Completion Bond
Cadillac Records (2008)
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank
Completion Bond Guarantor
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Completion Bond: Film Finances Inc.
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Completion Bond: Film Finances Inc.
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Completion Bond: Film Finances Inc.
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Completion Bond: Film Finances
Barely Legal (2003)
Directed by: David Mickey Evans
Cinematography by: John B. Aronson
Edited by: Harry Keramidas
Completion Bond: Film Finances Inc.
The Big Kahuna (1999)
Directed by: John Swanbeck
Cinematography by: Anastas N. Michos
Edited by: Peggy Davis
Cameras: Panavision Cameras
Completion Board
A Murder of Crows (1998)
Directed by: Rowdy Herrington
Cinematography by: Robert Primes
Edited by: Harry B. Miller III
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Completion Guarantor
Shadrach (1998)
Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp
Completion Bond
Eve's Bayou (1997)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Production Controller
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Accountant
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Production Financial Controller
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Production Accountant
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Production Accountant
Deceived (1991)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Production Accountant
Strays (1991)
Directed by: John McPherson
Cinematography by: Jacques Haitkin
Edited by: Karen I. Stern
Production Accountant
Ernest Goes to Jail (1990)
Directed by: John R. Cherry III
Cinematography by: Peter Stein
Edited by: Sharyn L. Ross
Cameras: Panavision Cameras
Auditor
Mr. Destiny (1990)
Directed by: James Orr
Cinematography by: Alex Thomson
Edited by: Michael R. Miller
Production Accountant
The Whales of August (1987)
Directed by: Lindsay Anderson
Cinematography by: Mike Fash
Edited by: Nicolas Gaster
