Dan Grace

34 Titles

Is this you? Add a Profile

Wonder Woman 1984 | ShotOnWhat?

Costume Supervisor

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Ready Player One | ShotOnWhat?

Costume Supervisor

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Murder on the Orient Express | ShotOnWhat?

Costume Supervisor

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Doctor Strange | ShotOnWhat?

Costume Supervisor

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

Costume Supervisor

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Costume Supervisor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Edge of Tomorrow | ShotOnWhat?

Costume Supervisor

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Dark Knight Rises | ShotOnWhat?

Key Costume Supervisor

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

John Carter | ShotOnWhat?

Costume Supervisor

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Tinker Tailor Soldier Spy | ShotOnWhat?

Costume Supervisor

Tinker Tailor Soldier Spy (2011)

Directed by: Tomas Alfredson

Cinematography by: Hoyte Van Hoytema

Edited by: Dino Jonsäter

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Clash of the Titans | ShotOnWhat?

Costume Supervisor

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Edge of Darkness | ShotOnWhat?

Assistant Costume Designer

Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Pirate Radio | ShotOnWhat?

Costumes

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Dark Knight | ShotOnWhat?

Costume Supervisor

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Casino Royale | ShotOnWhat?

Costume Supervisor

Casino Royale (2006)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

The Da Vinci Code | ShotOnWhat?

Costume Supervisor

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Batman Begins | ShotOnWhat?

Costume Supervisor

Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Alfie | ShotOnWhat?

Dresser: Mr. Law

Alfie (2004)

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: Padraic McKinley

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

Wardrobe Supervisor

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Wardrobe Supervisor

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

All or Nothing | ShotOnWhat?

Wardrobe Supervisor

All or Nothing (2002)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Lesley Walker

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Lara Croft: Tomb Raider | ShotOnWhat?

Wardrobe Master

Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Enemy at the Gates | ShotOnWhat?

Wardrobe Set Supervisor

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

The Golden Bowl | ShotOnWhat?

Wardrobe Master

The Golden Bowl (2000)

Directed by: James Ivory

Cinematography by: Tony Pierce-Roberts

Edited by: John David Allen

The World Is Not Enough | ShotOnWhat?

Wardrobe Master

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Topsy-Turvy | ShotOnWhat?

Additional Wardrobe Assistant

Topsy-Turvy (1999)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Robin Sales

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Shakespeare in Love | ShotOnWhat?

Wardrobe Assistant

Shakespeare in Love (1998)

Directed by: John Madden

Cinematography by: Richard Greatrex

Edited by: David Gamble

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Variable Prime Lenses

Elizabeth | ShotOnWhat?

Wardrobe Assistant

Elizabeth (1998)

Directed by: Shekhar Kapur

Cinematography by: Remi Adefarasin

Edited by: Jill Bilcock

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Hilary and Jackie | ShotOnWhat?

Additional Wardrobe

Hilary and Jackie (1998)

Directed by: Anand Tucker

Cinematography by: David Johnson

Edited by: Martin Walsh

Tomorrow Never Dies | ShotOnWhat?

Wardrobe Assistant

Tomorrow Never Dies (1997)

Directed by: Roger Spottiswoode

Cinematography by: Robert Elswit

Edited by: Michel Arcand, Dominique Fortin

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hamlet | ShotOnWhat?

Dresser To Mr. Branagh

Hamlet (1996)

Directed by: Kenneth Branagh

Cinematography by: Alex Thomson

Edited by: Neil Farrell

The Ghost and the Darkness | ShotOnWhat?

Key Costumer

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

GoldenEye | ShotOnWhat?

Wardrobe Assistant

GoldenEye (1995)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Moviola Editing System, Steenbeck Editing System

Four Weddings and a Funeral | ShotOnWhat?

Additional Wardrobe Assistant

Four Weddings and a Funeral (1994)

Directed by: Mike Newell

Cinematography by: Michael Coulter

Edited by: Jon Gregory

©2012 - 2024 ShotOnWhat?

20254.20