Art Director
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Assistant Art Director: Additional Photography
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Standby Art Director
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
VFX Art Director
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Art Director
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Draughtsperson
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Art Director, Assistant Art Director
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Art Director: Second Unit
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Art Director, Assistant Art Director
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
On-set Art Director
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Standby Art Director
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Draughtsperson
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Assistant Art Director
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Draughtsman
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Stand-by Art Director
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Draughtsperson
Miss Potter (2006)
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Assistant Art Director
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Draughtsperson
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Stand-by Art Director
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Assistant Art Director: UK
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Art Department Assistant
The Golden Bowl (2000)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: John David Allen
