Paint Supervisor
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Paint Supervisor
'True Detective' Omega Station (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Paint Supervisor
'True Detective' Black Maps and Motel Rooms (2015)
Directed by: Daniel Attias
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Paint Supervisor
'True Detective' Church in Ruins (2015)
Directed by: Miguel Sapochnik
Cinematography by: Nigel Bluck
Paint Supervisor
'True Detective' Other Lives (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Paint Supervisor
'True Detective' Down Will Come (2015)
Directed by: Jeremy Podeswa
Cinematography by: Nigel Bluck
Paint Supervisor
'True Detective' Night Finds You (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Paint Supervisor
'True Detective' The Western Book of the Dead (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Paint Supervisor
'True Detective' Maybe Tomorrow (2015)
Directed by: Janus Metz
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Paint Supervisor
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Paint Supervisor - 16 Episodes, 2014-2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Paint Supervisor
'True Detective' Form and Void (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Paint Supervisor
'True Detective' After You've Gone (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Paint Supervisor
'True Detective' Haunted Houses (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Paint Supervisor
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Paint Supervisor
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Paint Supervisor
'True Detective' The Secret Fate of All Life (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Paint Supervisor
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Paint Lead
Escape Plan (2013)
Directed by: Mikael Håfström
Cinematography by: Brendan Galvin
Edited by: Elliot Greenberg
Cameras: ARRI ALEXA Camera
Paint Lead
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Paint Lead
Broken City (2013)
Directed by: Allen Hughes
Cinematography by: Ben Seresin
Edited by: Cindy Mollo
Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Editing System: Avid Editing System
Lead Painter
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Lead Scenic
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Paint Supervisor
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Lead Painter
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Lead Painter
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Lead Painter
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Lead Painter
Big Momma's House 2 (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly
Head Painter
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Paint Foreman
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Head Painter
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Paint Foreman
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lead Painter
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Head Painter
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Stand-by Painter: Los Angeles Tank Crew
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Head Painter
I Still Know What You Did Last Summer (1998)
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Head Scenic Painter
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Head Scenic Painter
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Head Scenic Painter
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Head Painter
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Head Painter: Chicago
Blankman (1994)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Head Painter
There Are No Children Here (1993)
Directed by: Anita W. Addison
Cinematography by: Mike Fash
Edited by: John Duffy
Head Painter
Frankie and Johnny (1991)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Painter
Home Alone (1990)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Head Painter
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Head Painter
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Head Painter: Chicago
Running Scared (1986)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Head Painter: Chicago
The Breakfast Club (1985)
Directed by: John Hughes
Cinematography by: Thomas Del Ruth
Edited by: Dede Allen
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses