On-set Special Effects
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Buyer / Special Effects Foreman
Deja Vu (2006)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Special Effects Purchaser
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Special Effects Technician
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Special Effects Foreman
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Supervisor
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Special Effects Technician
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Special Effects: Second Unit
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Special Effects Foreman
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Special Effects Technician
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Special Effects
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Special Effects
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Foreman / Special Effects Technician: Underwater Unit
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Special Effects
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Special Effects Foreman
The Thirteenth Floor (1999)
Directed by: Josef Rusnak
Cinematography by: Wedigo von Schultzendorff
Edited by: Henry Richardson
Special Effects
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Special Effects Technician
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Additional Special Effects
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Supervisor: Wilshire Blvd
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Special Effects
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Special Effects Coordinator
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Special Effects Foreman
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Special Effects Crew
Larger Than Life (1996)
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Special Effects Coordinator
Grumpier Old Men (1995)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Special Effects Assistant
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Special Effects Technician
Tall Tale (1995)
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Special Effects Coordinator
The Distinguished Gentleman (1992)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Special Effects
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Special Effects Assistant
Cold Heaven (1991)
Directed by: Nicolas Roeg
Cinematography by: Francis Kenny
Edited by: Tony Lawson
Special Effects
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Special Effects Foreman
The Border (1982)
Directed by: Tony Richardson
Cinematography by: Ric Waite
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Special Effects Foreman
The Postman Always Rings Twice (1981)
Directed by: Bob Rafelson
Cinematography by: Sven Nykvist
Edited by: Graeme Clifford