Special Effects
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Special Effects
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Welding Foreman
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Special Effects
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Special Effects Director
Raising Helen (2004)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Welder
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Foreman
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Welder
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Special Effects
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Special Effects
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Special Effects
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Special Effects Coordinator
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Special Effects Coordinator
Runaway Bride (1999)
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Special Effects
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
Very Bad Things (1998)
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Special Effects
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Special Effects Foreman: Second Unit
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Special Effects
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Special Effects Foreman
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Special Effects
The Craft (1996)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Special Effects
The Crow: City of Angels (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Special Effects Assistant
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Special Effects Coordinator
Exit to Eden (1994)
Directed by: Garry Marshall
Cinematography by: Theo van de Sande
Edited by: David Finfer
Special Effects
A Low Down Dirty Shame (1994)
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
Special Effects
The Puppet Masters (1994)
Directed by: Stuart Orme
Cinematography by: Clive Tickner
Edited by: William Goldenberg
Special Effects
Robin Hood: Men in Tights (1993)
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Welder/fabricator
Weekend at Bernie's II (1993)
Directed by: Robert Klane
Cinematography by: Edward Morey III
Edited by: Peck Prior
Special Effects
Red Rock West (1993)
Directed by: John Dahl
Cinematography by: Marc Reshovsky
Edited by: Scott Chestnut
Special Effects
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Second Unit Special Effects Technician
Dutch (1991)
Directed by: Peter Faiman
Cinematography by: Charles Minsky
Special Effects
Arachnophobia (1990)
Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Special Effects Coordinator
Pretty Woman (1990)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Robot Propmaker
Short Circuit 2 (1988)
Directed by: Kenneth Johnson
Cinematography by: John McPherson
Edited by: Conrad Buff IV
Special Effects
Like Father Like Son (1987)
Directed by: Rod Daniel
Cinematography by: Jack N. Green
Edited by: Lois Freeman-Fox
Special Effects
Baby: Secret of the Lost Legend (1985)
Directed by: Bill Norton
Cinematography by: John Alcott
Cameras: ARRI Cameras
Special Effects
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Special Effects Assistant
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Special Effects
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Special Effects
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Special Effects
Wrong Is Right (1982)
Directed by: Richard Brooks
Cinematography by: Fred J. Koenekamp
Edited by: George Grenville
Carpenter / Propmaker
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Gold Camera
Welder
The Thing (1982)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Special Effects
Escape from New York (1981)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Cameras: Panavision Panaflex Gold Camera
Welder/fabricator
Stir Crazy (1980)
Directed by: Sidney Poitier
Cinematography by: Fred Schuler
Edited by: Harry Keller
Special Effects
Nine to Five (1980)
Directed by: Colin Higgins
Cinematography by: Reynaldo Villalobos
Edited by: Pembroke J. Herring
Cameras: Panavision Cameras
Propmaker / Welder/fabricator
The Last Flight of Noah's Ark (1980)
Directed by: Charles Jarrott
Cinematography by: Charles F. Wheeler
Edited by: Gordon D. Brenner
Cameras: Panavision Cameras
Special Effects
Any Which Way You Can (1980)
Directed by: Buddy Van Horn
Cinematography by: David Worth
Welder
The Electric Horseman (1979)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
