Special Effects Coordinator
'Stranger Things' Chapter One: The Hellfire Club (2022)
Cinematography by: Caleb Heymann
Edited by: Dean Zimmerman
Special Effects Coordinator
'Stranger Things' Chapter Two: Vecna's Curse (2022)
Cinematography by: Caleb Heymann
Special Effects Coordinator
'Stranger Things' Chapter Four: Dear Billy (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Edited by: Dean Zimmerman
Special Effects Coordinator
'Stranger Things' Chapter Three: The Monster and the Superhero (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Special Effects Coordinator
'Stranger Things' Chapter Five: The Nina Project (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Special Effects Coordinator
'Stranger Things' Chapter Six: The Dive (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Special Effects Coordinator
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Special Effects Coordinator
'Stranger Things' Chapter Eight: Papa (2022)
Cinematography by: Caleb Heymann
Edited by: Katheryn Naranjo
Special Effects Coordinator
Starbright (2019)
Directed by: Francesco Lucente
Cinematography by: Francesco Di Giacomo
Edited by: Julia Furch
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Special Effects Coordinator - 8 Episodes, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Special Effects Coordinator
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Special Effects Coordinator
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Special Effects Coordinator
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Special Effects Coordinator
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Special Effects Coordinator
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Special Effects Coordinator
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Special Effects Coordinator
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Lead: Re-shoots
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
On-set Coordinator / Special Effects Coordinator: Additional Photography
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Special Effects Coordinator
Straw Dogs (2011)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Special Effects Coordinator
Super (2010)
Directed by: James Gunn
Cinematography by: Steve Gainer
Edited by: Cara Silverman
Cameras: Red One Camera
Editing System: Avid Editing System
Pyrotechnics Foreman / Second Unit Coordinator
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Coordinator
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Special Effects Coordinator
Vampires Suck (2010)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Special Effects Coordinator
Tekken (2010)
Directed by: Dwight H. Little
Cinematography by: Brian J. Reynolds
Edited by: David Checel
Special Effects Coordinator
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Special Effects Coordinator
The Killing Room (2009)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Sean Carter
Special Effects Coordinator
Beyond a Reasonable Doubt (2009)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Jeff Gullo
Special Effects Supervisor
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Special Effects Coordinator: Shreveport
'True Blood' Burning House of Love (2008)
Directed by: Marcos Siega
Cinematography by: Romeo Tirone
Edited by: Peter B. Ellis
Special Effects Coordinator: Shreveport
'True Blood' The Fourth Man in the Fire (2008)
Directed by: Michael Lehmann
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Coordinator: Shreveport
'True Blood' Plaisir d'amour (2008)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Edited by: Peter B. Ellis
Special Effects Coordinator: Shreveport - 3 Episodes, 2008
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Special Effects Supervisor
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Special Effects Coordinator
Mr. Brooks (2007)
Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Special Effects Technician
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Special Effects Technician
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Special Effects Coordinator
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Special Effects: Florida
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Special Effects: First Unit
Transporter 2 (2005)
Directed by: Louis Leterrier
Cinematography by: Mitchell Amundsen
Special Effects Technician
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Special Effects Technician / Special Effects: Second Unit
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Special Effects Technician
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Special Effects
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
