Special Effects Supervisor - Additional Photography
Zack Snyder's Justice League (2021)
Directed by: Zack Snyder
Cinematography by: Fabian Wagner
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects Coordinator: Miniatures Unit
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Special Effects Foreman
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Special Effects Foreman
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Special Effects Foreman
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Special Effects Technician
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Special Effects Coordinator
'True Blood' Turn! Turn! Turn! (2012)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Michael Ruscio
Production Staff - 1 Episode, 2011, Special Effects Supervisor / Special Effects Coordinator - 10 Episodes, 2011
Criminal Minds: Suspect Behavior (2011)
Directed by: Phil Abraham, Edward Allen Bernero, Andrew Bernstein, Stephen Cragg, Félix Enríquez Alcalá, Anna Foerster, Rob Hardy, Dwight H. Little, Tim Matheson, Terry McDonough, Rob Spera, John Terlesky, Michael W. Watkins
Cinematography by: Bing Sokolsky
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Special Effects Supervisor
'Criminal Minds: Suspect Behavior' Death by a Thousand Cuts (2011)
Directed by: Edward Allen Bernero
Cinematography by: Bing Sokolsky
Edited by: Casey O. Rohrs
Special Effects Supervisor
'Criminal Minds: Suspect Behavior' The Girl in the Blue Mask (2011)
Directed by: Félix Enríquez Alcalá
Cinematography by: Bing Sokolsky
Edited by: Janet Ashikaga
Special Effects Coordinator / Special Effects Supervisor
'Criminal Minds: Suspect Behavior' Strays (2011)
Directed by: Anna Foerster
Cinematography by: Bing Sokolsky
Edited by: Janet Ashikaga
Special Effects Supervisor
'Criminal Minds: Suspect Behavior' The Time Is Now (2011)
Directed by: Tim Matheson
Cinematography by: Bing Sokolsky
Production Staff
'Criminal Minds: Suspect Behavior' Night Hawks (2011)
Directed by: Dwight H. Little
Cinematography by: Bing Sokolsky
Edited by: Janet Ashikaga
Special Effects Supervisor
'Criminal Minds: Suspect Behavior' Jane (2011)
Directed by: Rob Hardy
Cinematography by: Bing Sokolsky
Edited by: Lisa Bromwell
Special Effects Supervisor
'Criminal Minds: Suspect Behavior' Here Is the Fire (2011)
Directed by: Andrew Bernstein
Cinematography by: Bing Sokolsky
Edited by: Casey O. Rohrs
Special Effects Supervisor
'Criminal Minds: Suspect Behavior' See No Evil (2011)
Directed by: Rob Spera
Cinematography by: Bing Sokolsky
Edited by: Janet Ashikaga
Special Effects Coordinator
'Criminal Minds: Suspect Behavior' One Shot Kill (2011)
Directed by: Terry McDonough
Cinematography by: Bing Sokolsky
Edited by: Lisa Bromwell
Special Effects Coordinator
'Criminal Minds: Suspect Behavior' Lonely Hearts (2011)
Directed by: Michael W. Watkins
Cinematography by: Bing Sokolsky
Edited by: Casey O. Rohrs
Special Effects Supervisor
'Criminal Minds: Suspect Behavior' Two of a Kind (2011)
Directed by: John Terlesky
Cinematography by: Bing Sokolsky
Special Effects Coordinator
'True Blood' And When I Die (2011)
Directed by: Scott Winant
Cinematography by: David Klein
Edited by: Louise Innes
Special Effects Coordinator
'True Blood' Burning Down the House (2011)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Michael Ruscio
Special Effects Coordinator
'True Blood' Soul of Fire (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Special Effects Coordinator
'True Blood' Spellbound (2011)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Lynne Willingham
Special Effects Coordinator
'True Blood' Let's Get Out of Here (2011)
Directed by: Romeo Tirone
Cinematography by: Evans Brown
Edited by: Louise Innes
Special Effects Coordinator
'True Blood' Cold Grey Light of Dawn (2011)
Directed by: Michael Ruscio
Cinematography by: Romeo Tirone
Edited by: Mark Hartzell
Special Effects Coordinator
'True Blood' I Wish I Was the Moon (2011)
Directed by: Jeremy Podeswa
Cinematography by: David Klein
Edited by: Louise Innes
Special Effects Coordinator
'True Blood' Me and the Devil (2011)
Directed by: Daniel Minahan
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Special Effects Coordinator
'True Blood' If You Love Me, Why Am I Dyin'? (2011)
Directed by: David Petrarca
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Special Effects Coordinator
'True Blood' I'm Alive and on Fire (2011)
Directed by: Michael Lehmann
Cinematography by: David Klein
Special Effects Supervisor
'True Blood' You Smell Like Dinner (2011)
Directed by: Scott Winant
Cinematography by: David Klein
Edited by: Lynne Willingham
Special Effects Supervisor
'True Blood' She's Not There (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Special Effects Supervisor
'Hawthorne' For Better or Worse (2011)
Directed by: Peter Werner
Cinematography by: Frank Byers
Edited by: Monty DeGraff
Special Effects Supervisor
'Hawthorne' Fight or Flight (2011)
Directed by: Seith Mann
Cinematography by: Frank Byers
Edited by: Kaja Fehr
Special Effects Supervisor
'Hawthorne' A Fair to Remember (2011)
Directed by: Stephen Gyllenhaal
Cinematography by: Frank Byers
Edited by: Robert Bramwell
Special Effects Supervisor
'Hawthorne' Let Freedom Sing (2011)
Directed by: Adam Kane
Edited by: Kaja Fehr
Special Effects Supervisor
'Hawthorne' Just Between Friends (2011)
Directed by: Rosemary Rodriguez
Cinematography by: Frank Byers
Edited by: Robert Bramwell
Special Effects Supervisor
'Hawthorne' To Tell the Truth (2011)
Directed by: Tony Goldwyn
Edited by: Monty DeGraff
Special Effects Supervisor
'Hawthorne' Price of Admission (2011)
Directed by: Rosemary Rodriguez
Edited by: Kaja Fehr
Special Effects Supervisor
'Hawthorne' Signed, Sealed, Delivered (2011)
Directed by: Rosemary Rodriguez
Special Effects Supervisor
'True Blood' Evil Is Going On (2010)
Directed by: Anthony Hemingway
Cinematography by: Stephen St. John
Edited by: Louise Innes
Special Effects Supervisor
'True Blood' Fresh Blood (2010)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Lynne Willingham
Special Effects Supervisor
'True Blood' I Smell a Rat (2010)
Directed by: Michael Lehmann
Cinematography by: Stephen St. John
Edited by: Michael Ruscio
Special Effects Supervisor
'True Blood' Everything Is Broken (2010)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Louise Innes
Special Effects Supervisor
'True Blood' Night on the Sun (2010)
Directed by: Lesli Linka Glatter
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Special Effects Supervisor
'True Blood' Hitting the Ground (2010)
Directed by: John Dahl
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Supervisor
'True Blood' I Got a Right to Sing the Blues (2010)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Special Effects Supervisor
'True Blood' Trouble (2010)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Lynne Willingham
Special Effects Supervisor
'True Blood' 9 Crimes (2010)
Directed by: David Petrarca
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Special Effects Supervisor
'True Blood' It Hurts Me Too (2010)
Directed by: Michael Lehmann
Cinematography by: Matthew Jensen
Edited by: Louise Innes
Special Effects Supervisor
'True Blood' Beautifully Broken (2010)
Directed by: Scott Winant
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Special Effects Coordinator
'True Blood' Bad Blood (2010)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Supervisor
'Hawthorne' No Excuses (2010)
Directed by: Jeff Bleckner
Cinematography by: Frank Byers
Edited by: Elizabeth Kling
Special Effects Supervisor
'Hawthorne' The Starting Line (2010)
Directed by: Ed Bianchi
Cinematography by: Frank Byers
Special Effects Supervisor
'Hawthorne' Road Narrows (2010)
Directed by: Ed Bianchi
Cinematography by: Frank Byers
Special Effects Supervisor
'Hawthorne' Afterglow (2010)
Directed by: Jeff Bleckner
Cinematography by: Frank Byers
Edited by: Debra Beth Weinfeld
Special Effects Supervisor
'Hawthorne' The Match (2010)
Directed by: Mike Robe
Cinematography by: Frank Byers
Special Effects Supervisor
'Hawthorne' Final Curtain (2010)
Directed by: Tricia Brock
Cinematography by: Frank Byers
Edited by: Debra Beth Weinfeld
Special Effects Supervisor
'Hawthorne' Hidden Truths (2010)
Directed by: Jeff Bleckner
Cinematography by: Frank Byers
Special Effects Supervisor
'Hawthorne' A Mother Knows (2010)
Directed by: Tricia Brock
Edited by: Robert Bramwell
Special Effects Supervisor
'Hawthorne' Picture Perfect (2010)
Directed by: Jeff Bleckner
Cinematography by: Frank Byers
Edited by: Debra Beth Weinfeld
Special Effects Supervisor
'Hawthorne' No Exit (2010)
Directed by: Ed Bianchi
Cinematography by: Frank Byers
Special Effects Supervisor
I Love You, Man (2009)
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Special Effects Supervisor - 3 Episodes, 2009
Community (2009)
Directed by: Tristram Shapeero, Joe Russo, Anthony Russo, Rob Schrab, Jay Chandrasekhar, Adam Davidson, Justin Lin, Duke Johnson, Steven K. Tsuchida, Kyle Newacheck, Victor Nelli Jr., Nat Faxon, Jim Rash, Seth Gordon, Anthony Hemingway, Gail Mancuso, Ken Whittingham, Richard Ayoade, Fred Goss, Jeff Melman, Steven Sprung, Dan Eckman, Tricia Brock, Michael Patrick Jann, Beth McCarthy-Miller, Bobcat Goldthwait
Edited by: Peter B. Ellis, Ruthie Aslan, Steven Sprung, Christian Kinnard, Jeff Hall, John Peter Bernardo, Jeff Groth, Lisa Lassek, Joel Goodman, Spencer Houck, William Marrinson, Jim Towne, Garret Elkins, Larry Bock, Jeffrey M. Werner, Luke Guidici
Cameras: ARRIFLEX D-21 Camera
Special Effects Supervisor
'Community' Social Psychology (2009)
Directed by: Anthony Russo
Cinematography by: James Hawkinson
Special Effects Supervisor
'Community' Introduction to Film (2009)
Directed by: Anthony Russo
Cinematography by: James Hawkinson
Edited by: Peter B. Ellis
Special Effects Supervisor
'Community' Spanish 101 (2009)
Directed by: Joe Russo
Cinematography by: James Hawkinson
Edited by: Steven Sprung
Special Effects Supervisor
'True Blood' Beyond Here Lies Nothin' (2009)
Directed by: Michael Cuesta
Cinematography by: Joseph E. Gallagher
Edited by: Louise Innes
Special Effects Coordinator / Special Effects Supervisor
'True Blood' Frenzy (2009)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Andy Keir
Special Effects Supervisor
'True Blood' New World in My View (2009)
Directed by: Adam Davidson
Cinematography by: Joseph E. Gallagher
Edited by: Debra F. Simone
Special Effects Supervisor
'True Blood' I Will Rise Up (2009)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Supervisor
'True Blood' Timebomb (2009)
Directed by: John Dahl
Cinematography by: Romeo Tirone
Edited by: Andy Keir
Special Effects Supervisor
'True Blood' Release Me (2009)
Directed by: Michael Ruscio
Cinematography by: Matthew Jensen
Edited by: Debra F. Simone
Special Effects Supervisor
'True Blood' Hard-Hearted Hannah (2009)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Special Effects Supervisor
'True Blood' Never Let Me Go (2009)
Directed by: John Dahl
Cinematography by: Matthew Jensen
Edited by: Andy Keir
Special Effects Coordinator
'True Blood' Shake and Fingerpop (2009)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Special Effects Coordinator
'True Blood' Scratches (2009)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Louise Innes
Special Effects Coordinator
'True Blood' Keep This Party Going (2009)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Andy Keir
Special Effects Coordinator
'True Blood' Nothing But the Blood (2009)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Supervisor - 30 Episodes, 2009-2011
Hawthorne (2009)
Directed by: Jeff Bleckner, Ed Bianchi, Mike Robe, Rosemary Rodriguez, Andy Wolk, Tricia Brock, Arvin Brown, Roxann Dawson, Mikael Salomon, Tony Goldwyn, Stephen Gyllenhaal, Adam Kane, Seith Mann, Michael Schultz, Peter Werner
Edited by: Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork
Cameras: ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera
Lenses: ARRI Lenses, Panavision Lenses
Special Effects Supervisor
'Hawthorne' Pilot (2009)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Edited by: Alan Baumgarten
Special Effects Supervisor
'Hawthorne' Healing Time (2009)
Directed by: Arvin Brown
Cinematography by: John Newby
Edited by: Debra Beth Weinfeld
Special Effects Supervisor
'Hawthorne' Yielding (2009)
Directed by: Jeff Bleckner
Cinematography by: John Newby
Edited by: Robert Bramwell
Special Effects Supervisor
'Hawthorne' All the Wrong Places (2009)
Directed by: Andy Wolk
Cinematography by: John Newby
Edited by: Robert Bramwell
Special Effects Supervisor
'Hawthorne' The Sense of Belonging (2009)
Directed by: Mike Robe
Cinematography by: John Newby
Edited by: Debra Beth Weinfeld
Special Effects Supervisor
'Hawthorne' Trust Me (2009)
Directed by: Ed Bianchi
Cinematography by: John Newby
Edited by: Elizabeth Kling
Special Effects Supervisor
'Hawthorne' Night Moves (2009)
Directed by: Roxann Dawson
Cinematography by: John Newby
Edited by: Robert Bramwell
Special Effects Supervisor
'Hawthorne' No Guts, No Glory (2009)
Directed by: Andy Wolk
Cinematography by: John Newby
Special Effects Supervisor
'Hawthorne' Mother's Day (2009)
Directed by: Jeff Bleckner
Cinematography by: John Newby
Edited by: Elizabeth Kling
Special Effects Supervisor
'Hawthorne' Hello and Goodbye (2009)
Directed by: Jeff Bleckner
Cinematography by: John Newby
Edited by: Robert Bramwell
Special Effects Coordinator / Special Effects Supervisor - 49 Episodes, 2008-2012
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Special Effects Supervisor
'True Blood' You'll Be the Death of Me (2008)
Directed by: Alan Ball
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Supervisor
'True Blood' To Love Is to Bury (2008)
Directed by: Nancy Oliver
Cinematography by: John B. Aronson
Edited by: Peter B. Ellis
Special Effects Supervisor
'True Blood' I Don't Wanna Know (2008)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Coordinator
'True Blood' Plaisir d'amour (2008)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Edited by: Peter B. Ellis
Special Effects Coordinator
'True Blood' The Fourth Man in the Fire (2008)
Directed by: Michael Lehmann
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Coordinator
'True Blood' Burning House of Love (2008)
Directed by: Marcos Siega
Cinematography by: Romeo Tirone
Edited by: Peter B. Ellis
Special Effects Coordinator
'True Blood' Cold Ground (2008)
Directed by: Nick Gomez
Cinematography by: Amy Vincent
Edited by: Peter B. Ellis
Special Effects Coordinator
'True Blood' Sparks Fly Out (2008)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Coordinator
'True Blood' Escape from Dragon House (2008)
Directed by: Michael Lehmann
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Coordinator
'True Blood' Mine (2008)
Directed by: John Dahl
Cinematography by: Checco Varese
Edited by: Michael Ruscio
Special Effects Coordinator
'True Blood' The First Taste (2008)
Directed by: Scott Winant
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Coordinator
'True Blood' Strange Love (2008)
Directed by: Alan Ball
Cinematography by: Checco Varese
Special Effects Consultant
The Librarian: Quest for the Spear (2004)
Directed by: Peter Winther
Cinematography by: Alan Caso
Edited by: Ron Rosen
Special Effects Coordinator
'Angel' Harm's Way (2004)
Directed by: Vern Gillum
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Soul Purpose (2004)
Directed by: David Boreanaz
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Damage (2004)
Directed by: Jefferson Kibbee
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' You're Welcome (2004)
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Why We Fight (2004)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Smile Time (2004)
Directed by: Ben Edlund
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' A Hole in the World (2004)
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Shells (2004)
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Underneath (2004)
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Origin (2004)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Special Effects Coordinator
'Angel' Time Bomb (2004)
Directed by: Vern Gillum
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' The Girl in Question (2004)
Directed by: David Greenwalt
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Power Play (2004)
Directed by: James A. Contner
Cinematography by: Ross Berryman
Edited by: Frederick Wardell
Special Effects Coordinator
'Angel' Not Fade Away (2004)
Directed by: Jeffrey Bell
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Second Unit Special Effects Coordinator
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Special Effects Coordinator
'Angel' Habeas Corpses (2003)
Directed by: Skip Schoolnik
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Long Day's Journey (2003)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Awakening (2003)
Directed by: James A. Contner
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Soulless (2003)
Directed by: Sean Astin
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Calvary (2003)
Directed by: Bill Norton
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Salvage (2003)
Directed by: Jefferson Kibbee
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Release (2003)
Directed by: James A. Contner
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Orpheus (2003)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Players (2003)
Directed by: Michael Grossman
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Inside Out (2003)
Directed by: Steven S. DeKnight
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Shiny Happy People (2003)
Directed by: Marita Grabiak
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' The Magic Bullet (2003)
Directed by: Jeffrey Bell
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Sacrifice (2003)
Directed by: David Straiton
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Peace Out (2003)
Directed by: Jefferson Kibbee
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Home (2003)
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Conviction (2003)
Directed by: Joss Whedon
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Just Rewards (2003)
Directed by: James A. Contner
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Unleashed (2003)
Directed by: Marita Grabiak
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Hell-Bound (2003)
Directed by: Steven S. DeKnight
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Life of the Party (2003)
Directed by: Bill Norton
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' The Cautionary Tale of Numero Cinco (2003)
Directed by: Jeffrey Bell
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Lineage (2003)
Directed by: Jefferson Kibbee
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Destiny (2003)
Directed by: Skip Schoolnik
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator: Second Unit
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Special Effects Coordinator
'Angel' Birthday (2002)
Directed by: Michael Grossman
Cinematography by: Ross Berryman
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Provider (2002)
Directed by: Bill Norton
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Waiting in the Wings (2002)
Directed by: Joss Whedon
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Couplet (2002)
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Loyalty (2002)
Directed by: James A. Contner
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Sleep Tight (2002)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Forgiving (2002)
Directed by: Turi Meyer
Cinematography by: Ross Berryman
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Double or Nothing (2002)
Directed by: David Grossman
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' The Price (2002)
Directed by: Marita Grabiak
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' A New World (2002)
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Benediction (2002)
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Tomorrow (2002)
Directed by: David Greenwalt
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Deep Down (2002)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Ground State (2002)
Directed by: Michael Grossman
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' The House Always Wins (2002)
Directed by: Marita Grabiak
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Slouching Toward Bethlehem (2002)
Directed by: Skip Schoolnik
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Spin the Bottle (2002)
Directed by: Joss Whedon
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Special Effects Coordinator
'Angel' Apocalypse, Nowish (2002)
Directed by: Vern Gillum
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Redefinition (2001)
Directed by: Michael Grossman
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Blood Money (2001)
Directed by: R.D. Price
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Happy Anniversary (2001)
Directed by: Bill Norton
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' The Thin Dead Line (2001)
Directed by: Scott McGinnis
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Reprise (2001)
Directed by: James Whitmore Jr.
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Epiphany (2001)
Directed by: Thomas J. Wright
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Disharmony (2001)
Directed by: Frederick King Keller
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Dead End (2001)
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Belonging (2001)
Directed by: Turi Meyer
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Over the Rainbow (2001)
Directed by: Frederick King Keller
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Through the Looking Glass (2001)
Directed by: Tim Minear
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' There's No Place Like Plrtz Glrb (2001)
Directed by: David Greenwalt
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Heartthrob (2001)
Directed by: David Greenwalt
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' That Vision Thing (2001)
Directed by: Bill Norton
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' That Old Gang of Mine (2001)
Directed by: Frederick King Keller
Cinematography by: Ross Berryman
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Carpe Noctem (2001)
Directed by: James A. Contner
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Fredless (2001)
Directed by: Marita Grabiak
Cinematography by: Ross Berryman
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Billy (2001)
Directed by: David Grossman
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Offspring (2001)
Directed by: Turi Meyer
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Quickening (2001)
Directed by: Skip Schoolnik
Cinematography by: Ross Berryman
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Lullaby (2001)
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Dad (2001)
Directed by: Frederick King Keller
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Somnambulist (2000)
Directed by: Winrich Kolbe
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Expecting (2000)
Directed by: David Semel
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' She (2000)
Directed by: David Greenwalt
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' I've Got You Under My Skin (2000)
Directed by: R.D. Price
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' The Prodigal (2000)
Directed by: Bruce Seth Green
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' The Ring (2000)
Directed by: Nick Marck
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Eternity (2000)
Directed by: Regis Kimble
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Five by Five (2000)
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Sanctuary (2000)
Directed by: Michael Lange
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' War Zone (2000)
Directed by: David Straiton
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Blind Date (2000)
Directed by: Thomas J. Wright
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' To Shanshu in L.A. (2000)
Directed by: David Greenwalt
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Judgment (2000)
Directed by: Michael Lange
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Are You Now or Have You Ever Been (2000)
Directed by: David Semel
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' First Impressions (2000)
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Untouched (2000)
Directed by: Joss Whedon
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Dear Boy (2000)
Directed by: David Greenwalt
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' Guise Will Be Guise (2000)
Directed by: Krishna Rao
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Darla (2000)
Directed by: Tim Minear
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator
'Angel' The Shroud of Rahmon (2000)
Directed by: David Grossman
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' The Trial (2000)
Directed by: Bruce Seth Green
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Reunion (2000)
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects Coordinator - 110 Episodes, 1999-2004
Angel (1999)
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Special Effects Coordinator
'Angel' City of... (1999)
Directed by: Joss Whedon
Cinematography by: Herbert Davis
Edited by: Regis Kimble
Special Effects Coordinator
'Angel' Lonely Heart (1999)
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' In the Dark (1999)
Directed by: Bruce Seth Green
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' I Fall to Pieces (1999)
Directed by: Vern Gillum
Cinematography by: Herbert Davis
Edited by: Casey O. Rohrs
Special Effects Coordinator
'Angel' Rm w/a Vu (1999)
Directed by: Scott McGinnis
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Sense and Sensitivity (1999)
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' The Bachelor Party (1999)
Directed by: David Straiton
Cinematography by: Herbert Davis
Edited by: Casey O. Rohrs
Special Effects Coordinator
'Angel' I Will Remember You (1999)
Directed by: David Grossman
Cinematography by: Herbert Davis
Edited by: Michael Stern
Special Effects Coordinator
'Angel' Hero (1999)
Directed by: Tucker Gates
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Special Effects Coordinator
'Angel' Parting Gifts (1999)
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Special Effects
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
City of Industry (1997)
Directed by: John Irvin
Cinematography by: Thomas Burstyn
Edited by: Mark Conte
Special Effects
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Special Effects
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Special Effects
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Special Effects Crew
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Special Effects Foreman
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
