Special Effects Shop Supervisor
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Special Effects Supervisor: Los Angeles
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
On-set Foreman: Second Unit
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Special Effects Technician
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Special Effects Technician: Illinois
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Special Effects Coordinator: Second Unit
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Special Effects Coordinator
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Shop Coordinator / Shop Foreman
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Coordinator
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Special Effects Foreman
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Special Effects Coordinator: Ferry
Deja Vu (2006)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Special Effects Director, Stunts
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Special Effects Director
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Special Effects Coordinator, Stunts
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Special Effects Supervisor
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
FBI Agent, Special Effects Coordinator
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Special Effects Coordinator
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Special Effects Coordinator
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Special Effects Coordinator
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Special Effects Coordinator
I.Q. (1994)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Jill Bilcock
Special Effects
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Special Effects Coordinator, Stunts
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Special Effects Coordinator, Stunts
Honeymoon in Vegas (1992)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Special Effects Coordinator
Thelma & Louise (1991)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Edited by: Thom Noble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Special Effects Supervisor
Black Rain (1989)
Directed by: Ridley Scott
Cinematography by: Jan de Bont
Edited by: Tom Rolf
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Special Effects
Chances Are (1989)
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Special Effects Coordinator
License to Drive (1988)
Directed by: Greg Beeman
Cinematography by: Bruce Surtees
Special Effects Coordinator
Mississippi Burning (1988)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Cameras: Panavision Panaflex Gold Camera
Special Effects
Planes, Trains & Automobiles (1987)
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Special Effects
Band of the Hand (1986)
Directed by: Paul Michael Glaser
Cinematography by: Reynaldo Villalobos
Edited by: Jack Hofstra
Special Effects
Perfect (1985)
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Special Effects Supervisor
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Special Effects Coordinator
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Special Effects
Scarface (1983)
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
Special Effects: Second Unit
Jinxed! (1982)
Directed by: Don Siegel
Cinematography by: Vilmos Zsigmond
Edited by: Douglas Stewart
Cameras: Panavision Cameras
