Compositing Supervisor: CoSA VFX
'Westworld' Que Será, Será (2022)
Directed by: Richard J. Lewis
Cinematography by: Peter Flinckenberg
Compositing Supervisor: CoSA VFX
'Westworld' Metanoia (2022)
Directed by: Meera Menon
Cinematography by: John Conroy
Edited by: Sarah C. Reeves
Compositing Supervisor: CoSA VFX
'Westworld' Zhuangzi (2022)
Directed by: Craig William Macneill
Cinematography by: John Conroy
Compositing Supervisor: CoSA VFX
'Westworld' Generation Loss (2022)
Directed by: Paul Cameron
Cinematography by: Peter Flinckenberg
Compositing Supervisor: CoSA VFX
'Westworld' Années Folles (2022)
Directed by: Hanelle M. Culpepper
Cinematography by: John Conroy
Edited by: Amelia Allwarden
Compositing Supervisor: CoSA VFX
'Westworld' The Auguries (2022)
Directed by: Richard J. Lewis
Cinematography by: John Conroy
Compositing Supervisor: CoSA VFX
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Compositing Supervisor: CoSA VFX
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Compositing Supervisor: CoSA VFX
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Compositing Supervisor: CoSA VFX
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Compositing Supervisor: CoSA VFX
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Compositing Supervisor: CoSA VFX
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Compositing Supervisor: CoSA VFX
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Compositing Supervisor: CoSA VFX
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Compositor: CoSA VFX
'Westworld' The Passenger (2018)
Directed by: Frederick E.O. Toye
Cinematography by: John Grillo
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Past Life (2018)
Directed by: Eric Laneuville
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Digital Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Identity and Change (2017)
Directed by: Garry A. Brown
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Digital Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Patriot (2017)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Digital Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Wake Up (2017)
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Digital Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Self Control (2017)
Directed by: Jed Whedon
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Digital Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' World's End (2017)
Directed by: Billy Gierhart
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Compositor: CoSA VFX
'Person of Interest' Return 0 (2016)
Directed by: Chris Fisher
Cinematography by: Dave Insley
Edited by: Mark Conte
Compositor: CoSA VFX
'Westworld' Trompe L'Oeil (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Brendan Galvin
Edited by: Andrew Seklir
Compositor: CoSA VFX
'Westworld' The Adversary (2016)
Directed by: Frederick E.O. Toye
Edited by: Tanya M. Swerling
Compositor: CoSA VFX
'Westworld' Contrapasso (2016)
Directed by: Jonny Campbell
Cinematography by: Robert McLachlan
Edited by: Mark Yoshikawa
Compositor: CoSA VFX
'Westworld' Dissonance Theory (2016)
Directed by: Vincenzo Natali
Cinematography by: Brendan Galvin
Edited by: Tanya M. Swerling
Compositor: CoSA VFX
'Westworld' The Stray (2016)
Directed by: Neil Marshall
Cinematography by: Robert McLachlan
Edited by: Andrew Seklir
Compositor: CoSA VFX
'Westworld' Chestnut (2016)
Directed by: Richard J. Lewis
Cinematography by: Brendan Galvin
Edited by: Mark Yoshikawa
Compositing Supervisor: CoSA VFX / Compositor: CoSA VFX - 9 Episodes, 2016-2020, Compositing Supervisor: CoSA VFX / Compositor: CoSA VFX / Compositing Supervisor: CoSA VFX - 15 Episodes, 2016-2022
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Compositor: CoSA VFX
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Compositor: CoSA VFX
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Compositor: CoSA VFX
'Stranger Things' Chapter Two: The Weirdo on Maple Street (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Compositor: CoSA VFX
'Stranger Things' Chapter One: The Vanishing of Will Byers (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: Meet the New Boss (2016)
Directed by: Vincent Misiano
Cinematography by: Allan Westbrook
Edited by: Joshua Charson
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: Uprising (2016)
Directed by: Magnus Martens
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Compositor: CoSA VFX
'Person of Interest' ShotSeeker (2016)
Directed by: Maja Vrvilo
Cinematography by: Dave Insley
Edited by: Mark Conte
Compositor: CoSA VFX - 4 Episodes, 2016
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: The Ghost (2016)
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ascension (2016)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Absolution (2016)
Directed by: Billy Gierhart
Cinematography by: Allan Westbrook
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Spacetime (2016)
Directed by: Kevin Tancharoen
Edited by: Eric Litman
Compositor: CoSA VFX
'Agents of S.H.I.E.L.D.' Watchdogs (2016)
Directed by: Jesse Bochco
Edited by: Kelly Stuyvesant
Compositor: CoSA VFX
'Person of Interest' .exe (2016)
Directed by: Greg Plageman
Cinematography by: Dave Insley
Edited by: Lola Popovac
Stereoscopic Compositor: Stereo D
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Stereoscopic Compositor: Stereo D
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Stereoscopic Compositor: Stereo D
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Stereoscopic Compositor: Stereo D
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Stereoscopic Compositor: Stereo D
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Stereoscopic Compositor: Stereo D
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Stereoscopic Compositor: Stereo D
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Stereoscopic Compositor: Stereo D
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Stereoscopic Compositor: Stereo D
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Stereoscopic Compositor: Stereo D
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Stereoscopic Compositor: Stereo D
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Stereoscopic Compositor: Stereo D
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Stereoscopic Compositor: Stereo D
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Stereoscopic Compositor: Stereo D
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Compositor: AAU / On-set Visual Effects Compositing Supervisor / Visual Effects Compositor
Fruitvale Station (2013)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Compositor: CoSA VFX / Digital Compositor: CoSA VFX - 14 Episodes, 2016-2018
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Stereoscopic Compositor: Stereo D
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Stereoscopic Compositor: Stereo D
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Lead Compositor: Academy Of Art University
Beasts of the Southern Wild (2012)
Directed by: Benh Zeitlin
Cinematography by: Ben Richardson
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses: Zeiss Super Speed Lenses
Editing System: Avid Editing System
Compositor: CoSA VFX - 3 Episodes, 2016
Person of Interest (2011)
Directed by: Chris Fisher, Richard J. Lewis, Frederick E.O. Toye, Jeffrey G. Hunt, Stephen Surjik, Stephen Williams, Kenneth Fink, Helen Shaver, Charles Beeson, Kevin Bray, Stephen Semel, Jeff T. Thomas, Sylvain White, Alrick Riley, Kate Woods, Colin Bucksey, Milan Cheylov, Steven DePaul, David Semel, Dennis Smith, Alex Zakrzewski, Brad Anderson, Jon Cassar, Félix Enríquez Alcalá, Clark Johnson, Larry Teng, David Von Ancken, James Whitmore Jr., Tricia Brock, John Dahl, Omar Madha, Jonathan Nolan, Jeffrey Lee Gibson, Kevin Hooks, Michael Offer, Margot Lulick, Tim Matheson, Greg Plageman, Maja Vrvilo
Cinematography by: Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski
Edited by: Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Editing System: Avid Editing System
