Score Mixer
Eat Pray Love (2010)
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
Music Mixer / Music Recordist
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Music Recordist: Sony Scoring Stage
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Music Mixer / Music Recordist
Shattered (2007)
Directed by: Mike Barker
Cinematography by: Ashley Rowe
Music Mixer / Music Recordist
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Additional Score Engineer
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Score Recordist
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Score Mixer
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Music Engineer: Gabriel Yared's Music
Shall We Dance (2004)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Score Mixer / Score Recordist
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Music Engineer
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Music Scoring Mixer
Swimfan (2002)
Directed by: John Polson
Cinematography by: Giles Nuttgens
Edited by: Sarah Flack
Score Engineer
It's a Very Merry Muppet Christmas Movie (2002)
Directed by: Kirk R. Thatcher
Cinematography by: Tony Westman
Edited by: Gregg Featherman
Cameras: Panavision Cameras
Music Score Mixer / Music Score Recordist
See Spot Run (2001)
Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman
Music Recording Engineer
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Score Mixer / Score Recordist
Someone Like You... (2001)
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Score Recordist
Into the Arms of Strangers: Stories of the Kindertransport (2000)
Directed by: Mark Jonathan Harris
Cinematography by: Don Lenzer
Edited by: Kate Amend
Score Mixer
Where the Heart Is (2000)
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Music Re-mixer / Music Recordist
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Additional Music Mixer
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Scoring Mixer
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Mixer / Score Recordist
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Score Mixer / Score Recordist
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Original Score Mixer / Scoring Mixer
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Score Mixer
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Score Engineer / Score Mixer
Quest for Camelot (1998)
Directed by: Frederik Du Chau
Edited by: Stanford C. Allen
Score Mixer / Score Recordist
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Score Mixer / Score Recordist
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Score Mixer
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Mixer
B*A*P*S (1997)
Directed by: Robert Townsend
Cinematography by: Bill Dill
Edited by: Patrick Kennedy
Scoring Engineer
I Know What You Did Last Summer (1997)
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Music Scoring Mixer
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Score Mixer / Score Recordist
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Score Mixer / Score Recordist / Song Mixer / Song Recordist
Hercules (1997)
Cinematography by: Rasoul Azadani
Music Scoring Mixer
Marvin's Room (1996)
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Music Recordist
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Score Mixer
Clueless (1995)
Directed by: Amy Heckerling
Cinematography by: Bill Pope
Edited by: Debra Chiate
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses, Zeiss Lenses
Music Scoring Engineer / Score Mixer
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Music Scoring Mixer
Houseguest (1995)
Directed by: Randall Miller
Cinematography by: Jerzy Zielinski
Edited by: Eric A. Sears
Orchestra Recordist
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Music Mixer / Music Recordist
White Man's Burden (1995)
Directed by: Desmond Nakano
Cinematography by: Willy Kurant
Edited by: Nancy Richardson
Score Recordist
The Mask (1994)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Cameras: Panavision Panaflex Series Cameras
Lenses: Zeiss Lenses
Scoring Mixer
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Score Mixer
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Scoring Mixer
Class of '61 (1993)
Directed by: Gregory Hoblit
Cinematography by: Janusz Kaminski
Edited by: David Rosenbloom
Music Scoring Mixer
Another Stakeout (1993)
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss
Music Scoring Mixer
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Scoring Mixer
Groundhog Day (1993)
Directed by: Harold Ramis
Cinematography by: John Bailey
Edited by: Pembroke J. Herring
Music Engineer
Carlito's Way (1993)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold II Camera
Score Mixer
Gunmen (1993)
Directed by: Deran Sarafian
Cinematography by: Hiro Narita
Edited by: Bonnie Koehler
Orchestral Scoring Mixer
Teenage Mutant Ninja Turtles III (1993)
Directed by: Stuart Gillard
Cinematography by: David Gurfinkel
Music Engineer: Orchestra
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Scoring Mixer
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Music Scoring Mixer
Final Analysis (1992)
Directed by: Phil Joanou
Cinematography by: Jordan Cronenweth
Edited by: Thom Noble
Cameras: Panavision Panaflex Platinum Camera
Score Engineer
Flight of Black Angel (1991)
Directed by: Jonathan Mostow
Cinematography by: Lee Redmond
Edited by: Barry Zetlin
Music Scoring Mixer
Oscar (1991)
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Additional Music Mixer
Salmonberries (1991)
Directed by: Percy Adlon
Cinematography by: Newton Thomas Sigel
Edited by: Conrad M. Gonzalez
Score Mixer / Score Recordist
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Score Mixer
Dead Again (1991)
Directed by: Kenneth Branagh
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Ultracam 35 Camera
Lenses: Cooke Lenses
Orchestral Scoring Mixer
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Music Recordist
True Identity (1991)
Directed by: Charles Lane
Cinematography by: Thomas E. Ackerman
Edited by: Kent Beyda
Score Mixer
Arachnophobia (1990)
Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Music Scoring Mixer
When Harry Met Sally... (1989)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Scoring Mixer: Evergreen Studios
Sea of Love (1989)
Directed by: Harold Becker
Cinematography by: Ronnie Taylor
Edited by: David Bretherton
Scoring Mixer: Evergreen Studios
Steel Magnolias (1989)
Directed by: Herbert Ross
Cinematography by: John A. Alonzo
Edited by: Paul Hirsch
Music Scoring Mixer
Memories of Me (1988)
Directed by: Henry Winkler
Cinematography by: Andrew Dintenfass
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Score Mixer
The Boost (1988)
Directed by: Harold Becker
Cinematography by: Howard Atherton
Edited by: Maury Winetrobe
Music Mixer
Beaches (1988)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Richard Halsey
Cameras: Panavision Cameras
Music Engineer
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System
Music Recording: Wembley
Champions (1984)
Directed by: John Irvin
Cinematography by: Ronnie Taylor
Edited by: Peter Honess
Cameras: Panavision Cameras
Recording Engineer
The Hotel New Hampshire (1984)
Directed by: Tony Richardson
Cinematography by: David Watkin
Edited by: Robert K. Lambert
Music Recordist
Gandhi (1982)
Directed by: Richard Attenborough
Edited by: John Bloom
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Recordist
Twilight Time (1982)
Directed by: Goran Paskaljevic
Cinematography by: Tomislav Pinter
Edited by: Olga Skrigin
Sound Recordist
Evil Under the Sun (1982)
Directed by: Guy Hamilton
Cinematography by: Christopher Challis
Edited by: Richard Marden
Music Recording Engineer
The Incubus (1982)
Directed by: John Hough
Cinematography by: Albert J. Dunk
Edited by: George Appleby
Music Recording Engineer
Excalibur (1981)
Directed by: John Boorman
Cinematography by: Alex Thomson
Cameras: ARRI Cameras, ARRIFLEX 35 BL3 Camera
Music Recordist
The Great Muppet Caper (1981)
Directed by: Jim Henson
Cinematography by: Oswald Morris
Edited by: Ralph Kemplen
Music Recordist
Quartet (1981)
Directed by: James Ivory
Cinematography by: Pierre Lhomme
Edited by: Humphrey Dixon
Music Engineer , Music Mixer
For Your Eyes Only (1981)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: John Grover
Music Mixer
The Final Countdown (1980)
Directed by: Don Taylor
Cinematography by: Victor J. Kemper
Edited by: Robert K. Lambert
Sound Recordist
The Mirror Crack'd (1980)
Directed by: Guy Hamilton
Cinematography by: Christopher Challis
Edited by: Richard Marden
Music Engineer / Music Mixer
Hanover Street (1979)
Directed by: Peter Hyams
Cinematography by: David Watkin
Edited by: James Mitchell
Sound Recordist
Death on the Nile (1978)
Directed by: John Guillermin
Cinematography by: Jack Cardiff
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Music Recordist
The Bermuda Depths (1978)
Directed by: Tsugunobu Kotani
Cinematography by: Jeri Sopanen
Edited by: Barry Walter
Music Recordist
Tora! Tora! Tora! (1970)
Music Engineer
You Only Live Twice (1967)
Directed by: Lewis Gilbert
Cinematography by: Freddie Young
Edited by: Thelma Connell
Cameras: Mitchell BNC Camera
Music Engineer
Thunderball (1965)
Directed by: Terence Young
Cinematography by: Ted Moore
Edited by: Ernest Hosler
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
