Animator / Senior Animator: Flat Earth Productions
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Matte Painting Consultant: Tippett Studio
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
CGI Character Animation Lead
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Character Animator / Character Animator: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Optical Effects: Image FX
Dunston Checks In (1996)
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Animation Supervisor: SPI
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Optical Department
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Animator, Optical Effects: Image FX
Gumby: The Movie (1995)
Directed by: Art Clokey
Cinematography by: Art Clokey
Optical Effects: Image FX
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Optical Effects: Image FX
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Optical Effects: Image FX
The Jungle Book (1994)
Directed by: Stephen Sommers
Cinematography by: Juan Ruiz Anchía
Edited by: Bob Ducsay
Optical Effects: Image FX
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Opticals: Tippett Studio
RoboCop 3 (1993)
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Stop Motion Animator
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Optical Effects: Image FX
The Real McCoy (1993)
Directed by: Russell Mulcahy
Cinematography by: Denis Crossan
Edited by: Peter Honess
Optical Effects: Image FX
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Optical Effects
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Optical Effects: Image FX
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Optical Effects
Love Potion No. 9 (1992)
Directed by: Dale Launer
Cinematography by: William Wages
Edited by: Suzanne Pettit
Optical Effects
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Optical Effects
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Optical Effects Artist
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Optical Effects
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Stop Motion Animator , Stop-motion Technician: Robot Monster Crew , Visual Effects: Robot Monster Crew
RoboCop 2 (1990)
Directed by: Irvin Kershner
Cinematography by: Mark Irwin
Stop Motion Animator/process Compositing: Scorpion Sequence
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Matte Photography: ILM
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Go-motion Animator/process Compositing, Visual Effects Camera: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Stop-motion Camera
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Stop Motion Animator/process Compositing, Visual Effects: ED-2000
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Go-motion Supervisor: ILM
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Go-motion Animation: Harpy Sequence: ILM
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Matte Artist/miniature Photography / Miniature Photography
The Stuff (1985)
Directed by: Larry Cohen
Cinematography by: Paul Glickman
Edited by: Armond Lebowitz
Stop Motion Animator
Never Say Never Again (1983)
Directed by: Irvin Kershner
Cinematography by: Douglas Slocombe
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Special Photographic Effects Designer
Human Highway (1982)
Cinematography by: David Myers
Edited by: James Beshears
Cameras: Panavision Cameras
