Composer
'Ice' Side Trip (2017)
Directed by: Peter Werner
Cinematography by: Robert Aschmann
Edited by: Lisa Binkley
Composer
'Ice' Clarity (2017)
Directed by: T.J. Scott
Cinematography by: Robert Aschmann
Edited by: Stein Myhrstad
Composer
'Ice' The Cut (2017)
Directed by: Jon Amiel
Cinematography by: Robert Aschmann
Edited by: Jamie Alain
Composer
'Ice' Stand Off (2017)
Directed by: Rod Holcomb
Cinematography by: Robert Aschmann
Edited by: Stein Myhrstad
Composer
'Ice' Facet (2017)
Directed by: John David Coles
Cinematography by: Robert Aschmann
Edited by: Jamie Alain
Composer
'Ice' Run You Bastards Run (2017)
Directed by: Ashley Way
Cinematography by: Robert Aschmann
Edited by: Lisa Binkley
Composer
'Ice' Two Handkerchiefs (2016)
Directed by: Ashley Way
Cinematography by: Robert Aschmann
Edited by: Stein Myhrstad
Composer - 10 Episodes, 2016-2017
Ice (2016)
Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi
Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
Composer
'Ice' Tears of the Gods (2016)
Directed by: Thomas Carter
Cinematography by: Robert Aschmann
Edited by: Lisa Binkley
Composer
'Ice' The Line (2016)
Directed by: Norberto Barba
Cinematography by: Robert Aschmann
Edited by: Jamie Alain
Additional Score Arrangements / Score Producer
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Additional Arrangements By / Score Producer
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Arranger / Synth Programming
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Arranged By / Score Producer
Le dernier loup (2015)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Reynald Bertrand
Arranger
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Additional Arrangements And Programming
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Music Arranger
Day of the Falcon (2011)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Hervé Schneid
Synthesizer Programmer
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Electronic Music Arranger
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Vocal Production And Engineering
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Additional Synthesizer Programmer
Quest for Camelot (1998)
Directed by: Frederik Du Chau
Edited by: Stanford C. Allen
Score Synth Programmer
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Musician: Instrumental Solo
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Music Programmer: Synclavier, Synclavier Programmer
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Additional Synthesizer Programming
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Musician: Keyboards/music Programmer: Synthesizer
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Electronic Music Preparation
Crash (1996)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Panaflex Platinum Camera
Synclavier Programmer
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Music Programmer: Synthesizer
The Trigger Effect (1996)
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Music Programmer: Synclavier
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Music Programmer: Synth
Dangerous Minds (1995)
Directed by: John N. Smith
Cinematography by: Pierre Letarte
Edited by: Tom Rolf
Composer, Featured Performer: Hidden Faces
Friday (1995)
Directed by: F. Gary Gray
Cinematography by: Gerry Lively
Edited by: John Carter
Computer Music Programmer
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Additional Synthesizer Programming
Cool Runnings (1993)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Composer
Born to Run (1993)
Directed by: Albert Magnoli
Cinematography by: Tobias A. Schliessler
Edited by: David Codron
Synth Programming
Chaplin (1992)
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Music Programmer: Synclavier/synthesizer
Stop! Or My Mom Will Shoot (1992)
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Music Programmer: Synclavier/synthesizer Programming On "Teach Me How To Dream" , Synclavier Operator, Synclavier Programmer
If Looks Could Kill (1991)
Directed by: William Dear
Cinematography by: Douglas Milsome
Edited by: John F. Link
Cameras: Panavision Cameras
Additional Synthesizer Programming
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Music Programmer: Synthesizer
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Music Programmer: Keyboard And Synclavier
Shattered (1991)
Directed by: Wolfgang Petersen
Cinematography by: László Kovács
Music Programmer: Synthesizer/drums
Downtown (1990)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline