Re-recording Mixer
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Re-recording Mixer
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Re-recording Mixer
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Re-recording Mixer
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Re-recording Mixer
Fallen (1998)
Directed by: Gregory Hoblit
Cinematography by: Newton Thomas Sigel
Edited by: Lawrence Jordan
Re-recording Mixer
Apt Pupil (1998)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Re-recording Mixer
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Re-recording Mixer
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Re-recording Mixer
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Re-recording Mixer
That Old Feeling (1997)
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Re-recording Mixer
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Re-recording Mixer
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Re-recording Mixer
The Usual Suspects (1995)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Re-recording Mixer
Dangerous Minds (1995)
Directed by: John N. Smith
Cinematography by: Pierre Letarte
Edited by: Tom Rolf
Re-recording Mixer
Bad Company (1995)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Stuart H. Pappé
Re-recording Mixer
Grumpier Old Men (1995)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Re-recording Mixer
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Re-recording Mixer
The Brady Bunch Movie (1995)
Directed by: Betty Thomas
Cinematography by: Mac Ahlberg
Edited by: Peter Teschner
Re-recording Mixer
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Re-recording Mixer
Blue Sky (1994)
Directed by: Tony Richardson
Cinematography by: Steve Yaconelli
Edited by: Robert K. Lambert
Cameras: ARRI Cameras
Re-recording Mixer
The Favor (1994)
Directed by: Donald Petrie
Cinematography by: Tim Suhrstedt
Edited by: Harry Keramidas
Re-recording Mixer
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Re-recording Mixer
Wrestling Ernest Hemingway (1993)
Directed by: Randa Haines
Cinematography by: Lajos Koltai
Edited by: Paul Hirsch
Re-recording Mixer
The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (1993)
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Edited by: Eric A. Sears
Re-recording Mixer
Jennifer 8 (1992)
Directed by: Bruce Robinson
Cinematography by: Conrad L. Hall
Edited by: Conrad Buff IV
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Captain Ron (1992)
Directed by: Thom Eberhardt
Cinematography by: Daryn Okada
Edited by: Tina Hirsch
Re-recording Mixer
Once Upon a Crime... (1992)
Directed by: Eugene Levy
Cinematography by: Giuseppe Rotunno
Edited by: Patrick Kennedy
Re-recording Mixer
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Re-recording Mixer
True Identity (1991)
Directed by: Charles Lane
Cinematography by: Thomas E. Ackerman
Edited by: Kent Beyda
Re-recording Mixer
Scenes from a Mall (1991)
Directed by: Paul Mazursky
Cinematography by: Fred Murphy
Edited by: Stuart H. Pappé
Re-recording Mixer
Men at Work (1990)
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Re-recording Mixer
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Re-recording Mixer
The Two Jakes (1990)
Directed by: Jack Nicholson
Cinematography by: Vilmos Zsigmond
Edited by: Anne Goursaud
Re-recording Mixer
Fat Man and Little Boy (1989)
Directed by: Roland Joffé
Cinematography by: Vilmos Zsigmond
Edited by: Françoise Bonnot
Re-recording Mixer
Her Alibi (1989)
Directed by: Bruce Beresford
Cinematography by: Freddie Francis
Edited by: Anne Goursaud
Re-recording Mixer
Steel Magnolias (1989)
Directed by: Herbert Ross
Cinematography by: John A. Alonzo
Edited by: Paul Hirsch
Re-recording Mixer
Poltergeist III (1988)
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Re-recording Mixer
They Live (1988)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Tequila Sunrise (1988)
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Re-recording Mixer
Mississippi Burning (1988)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Re-recording Mixer
Angel Heart (1987)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Lenses: Panavision Lenses
Re-recording Mixer
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Re-recording Mixer
The Secret of My Success (1987)
Directed by: Herbert Ross
Cinematography by: Carlo Di Palma
Edited by: Paul Hirsch
Re-recording Mixer
Baby Boom (1987)
Directed by: Charles Shyer
Cinematography by: William A. Fraker
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Re-recording Mixer
Fatal Beauty (1987)
Directed by: Tom Holland
Cinematography by: David M. Walsh
Edited by: Don Zimmerman
Re-recording Mixer
One Crazy Summer (1986)
Directed by: Savage Steve Holland
Cinematography by: Isidore Mankofsky
Edited by: Alan Balsam
Cameras: Panavision Cameras
Re-recording Mixer
8 Million Ways to Die (1986)
Directed by: Hal Ashby
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Re-recording Mixer
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Re-recording Mixer
The Longshot (1986)
Directed by: Paul Bartel
Cinematography by: Robby Müller
Edited by: Alan Toomayan
Cameras: ARRI Cameras
Re-recording Mixer
Ferris Bueller's Day Off (1986)
Directed by: John Hughes
Cinematography by: Tak Fujimoto
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Re-recording Mixer
Children of a Lesser God (1986)
Directed by: Randa Haines
Cinematography by: John Seale
Edited by: Lisa Fruchtman
Re-recording Mixer
A Fine Mess (1986)
Directed by: Blake Edwards
Cinematography by: Harry Stradling Jr.
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Explorers (1985)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Cameras: Panavision Cameras
Re-recording Mixer
Lost in America (1985)
Directed by: Albert Brooks
Cinematography by: Eric Saarinen
Edited by: David Finfer
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Perfect (1985)
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Re-recording Mixer
A Soldier's Story (1984)
Directed by: Norman Jewison
Cinematography by: Russell Boyd
Re-recording Mixer
Flashpoint (1984)
Directed by: William Tannen
Cinematography by: Peter Moss
Edited by: David Garfield
Sound Re-recordist
Impulse (1984)
Directed by: Graham Baker
Cinematography by: Thomas Del Ruth
Edited by: David Holden
Re-recording Mixer
The Golden Seal (1983)
Directed by: Frank Zuniga
Cinematography by: Eric Saarinen
Edited by: Robert Q. Lovett
Cameras: ARRIFLEX 35 III Camera
Re-recording Mixer
Gorky Park (1983)
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Dennis Virkler
Cameras: ARRI ARRIFLEX Series Cameras, J-D-C Camera
Dialogue Re-recordist
Lone Wolf McQuade (1983)
Directed by: Steve Carver
Cinematography by: Roger Shearman
Edited by: Anthony Redman
Re-recording Mixer
Best Friends (1982)
Directed by: Norman Jewison
Cinematography by: Jordan Cronenweth
Edited by: Don Zimmerman
Re-recording Mixer
Night Shift (1982)
Directed by: Ron Howard
Cinematography by: James Crabe
Cameras: Panavision Cameras
Re-recording Mixer
Frances (1982)
Directed by: Graeme Clifford
Cinematography by: László Kovács
Edited by: John Wright
Re-recording Mixer
Chu Chu and the Philly Flash (1981)
Directed by: David Lowell Rich
Cinematography by: Victor J. Kemper
Edited by: Argyle Nelson Jr.
Re-recording Mixer
Under the Rainbow (1981)
Directed by: Steve Rash
Cinematography by: Frank Stanley
Edited by: David E. Blewitt
Re-recording Mixer
Looker (1981)
Directed by: Michael Crichton
Cinematography by: Paul Lohmann
Edited by: Carl Kress
Re-recording Mixer
The Final Countdown (1980)
Directed by: Don Taylor
Cinematography by: Victor J. Kemper
Edited by: Robert K. Lambert
Re-recording Mixer
Phantasm (1979)
Directed by: Don Coscarelli
Cinematography by: Don Coscarelli
Edited by: Don Coscarelli
Cameras: Panavision Cameras
Re-recording Mixer
A Man, a Woman and a Bank (1979)
Directed by: Noel Black
Cinematography by: Jack Cardiff
Edited by: Carl Kress
Re-recording Mixer
Fedora (1978)
Directed by: Billy Wilder
Cinematography by: Gerry Fisher
Cameras: Panavision Cameras
Re-recording Mixer
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
Cameras: Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras
Lenses: Panavision Lenses
