A-camera/steadicam Operator
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Camera/Steadicam Operator: Additional Photography
Baby Driver (2017)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Camera / Steadicam Operator
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Camera Operator: "a" Camera
Term Life (2016)
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
A: Camera / Steadicam Operator
The Boss (2016)
Directed by: Ben Falcone
Cinematography by: Julio Macat
Edited by: Craig Alpert
Cameras: ARRI ALEXA 65 Camera
Lenses: Leitz Summilux-C Series Lenses
A-camera/steadicam Operator
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Camera Operator / Steadicam Operator - 6 Episodes, 2014
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Camera Operator
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Camera Operator
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Camera Operator
'True Detective' The Secret Fate of All Life (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Camera Operator
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Camera Operator
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Camera Operator
'True Detective' Haunted Houses (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Steadicam Operator
The Gambler (2014)
Directed by: Rupert Wyatt
Cinematography by: Greig Fraser
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA XT Camera
Camera Operator: "a" Camera / Steadicam Operator
Horrible Bosses 2 (2014)
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
Steadicam Operator: Second Unit / Camera Operator: "a" Camera, Second Unit
Escape Plan (2013)
Directed by: Mikael Håfström
Cinematography by: Brendan Galvin
Edited by: Elliot Greenberg
Cameras: ARRI ALEXA Camera
Camera Operator: "b" Camera, Additional Photography
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Camera Operator: "a" Camera
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Camera Operator / Steadicam Operator
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
MK-V AR Operator
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
MK-V AR Operator
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
MK-V AR Operator
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Camera Operator: "a" Camera
Our Family Wedding (2010)
Directed by: Rick Famuyiwa
Cinematography by: Julio Macat
Edited by: Dirk Westervelt
Steadicam Operator / Camera Operator
Street Fighter: The Legend of Chun-Li (2009)
Directed by: Andrzej Bartkowiak
Cinematography by: Geoff Boyle
MK-V AR Operator: UK / Camera Operator: UK
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
MK-V AR Operator
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Cinematographer, MK-V AR Operator / Camera Operator: "a" Camera
Jazz in the Diamond District (2008)
Directed by: Lindsey Christian
Cinematography by: Christopher TJ McGuire
MK-V AR Operator
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras