Efosa Otuomagie

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Skyscraper | ShotOnWhat?

Wirework Coordinator

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

War for the Planet of the Apes | ShotOnWhat?

Stunts

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

"Ice" Two Handkerchiefs | ShotOnWhat?

Enoch Henchman

'Ice' Two Handkerchiefs (2016)

Television Episode

Directed by: Ashley Way

Cinematography by: Robert Aschmann

Edited by: Stein Myhrstad

Ice | ShotOnWhat?

Enoch Henchman

Ice (2016)

Television Series

Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi

Cinematography by: Robert Aschmann, Christos Bitsakos, Maz Makhani

Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses

Godzilla | ShotOnWhat?

Stunt Player

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

RoboCop | ShotOnWhat?

Stunts

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Pacific Rim | ShotOnWhat?

Stunts

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Colony | ShotOnWhat?

Stunt Performer

The Colony (2013)

Directed by: Jeff Renfroe

Cinematography by: Pierre Gill

Edited by: Aaron Marshall

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

White House Down | ShotOnWhat?

Stunt Performer

White House Down (2013)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

Cosmopolis | ShotOnWhat?

Stunts

Cosmopolis (2012)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Cooke S4 Lenses

In the Name of the King: Two Worlds | ShotOnWhat?

Stunts

In the Name of the King: Two Worlds (2011)

Directed by: Uwe Boll

Cinematography by: Mathias Neumann

Edited by: Peter Forslund

Rise of the Planet of the Apes | ShotOnWhat?

Stunts

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Grey | ShotOnWhat?

Stunts

The Grey (2011)

Directed by: Joe Carnahan

Cinematography by: Masanobu Takayanagi

Edited by: Roger Barton, Jason Hellmann

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The A-Team | ShotOnWhat?

Stunt Double: Quinton "Rampage" Jackson

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Expendables | ShotOnWhat?

Stunt Double: Terry Crews , Stunts

The Expendables (2010)

Directed by: Sylvester Stallone

Cinematography by: Jeffrey L. Kimball

Edited by: Ken Blackwell, Paul Harb

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

2012 | ShotOnWhat?

Stunt Performer

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

X-Men Origins: Wolverine | ShotOnWhat?

Stunts

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Street Kings | ShotOnWhat?

Stunts

Street Kings (2008)

Directed by: David Ayer

Cinematography by: Gabriel Beristain

Edited by: Jeffrey Ford

The Incredible Hulk | ShotOnWhat?

Stunt Double: Soldier / Stunt Performer

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Shooter | ShotOnWhat?

Stunts

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Stunts

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

The Marsh | ShotOnWhat?

Stunt Player

The Marsh (2006)

Directed by: Jordan Barker

Cinematography by: David Perrault

Edited by: Nick Rotundo

X-Men: The Last Stand | ShotOnWhat?

Stunts

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

16 Blocks | ShotOnWhat?

Bus Driver

16 Blocks (2006)

Directed by: Richard Donner

Cinematography by: Glen MacPherson

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Land of the Dead | ShotOnWhat?

Stunt Performer

Land of the Dead (2005)

Directed by: George A. Romero

Cinematography by: Miroslaw Baszak

Edited by: Michael Doherty

Four Brothers | ShotOnWhat?

Stunts

Four Brothers (2005)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon, Billy Fox

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Sahara | ShotOnWhat?

Stunt Player

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dawn of the Dead | ShotOnWhat?

Stunts

Dawn of the Dead (2004)

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

I, Robot | ShotOnWhat?

Stunts

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Scary Movie 3 | ShotOnWhat?

Stunts

Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

X2 | ShotOnWhat?

Stunts

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Reindeer Games | ShotOnWhat?

Stunt Performer

Reindeer Games (2000)

Directed by: John Frankenheimer

Cinematography by: Alan Caso

Edited by: Antony Gibbs, Michael Kahn

Cameras: Panavision Cameras, Spacecam Aerial Cameras

Deep Rising | ShotOnWhat?

Stunts

Deep Rising (1998)

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

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