Sound Effects/foley Mixer
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Supervising Sound Editor / Re-recording Mixer
Beau Is Afraid (2023)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Sony CineAlta VENICE Camera
Re-recording Mixer / Supervising Sound Editor
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Re-recording Mixer
A Night at the Garden (2017)
Directed by: Marshall Curry
Edited by: Marshall Curry
Re-recording Mixer / Sound Designer
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Supervising Sound Editor
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Re-recording Mixer / Supervising Sound Editor
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Sound Effects Editor
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Re-recording Mixer
Cutie and the Boxer (2013)
Directed by: Zachary Heinzerling
Cinematography by: Zachary Heinzerling
Edited by: David Teague
Re-recording Mixer
Red Hook Summer (2012)
Directed by: Spike Lee
Cinematography by: Kerwin DeVonish
Edited by: Hye Mee Na
Cameras: Sony PMW-F3 Camera
Temp Re-recording Mixer
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Re-recording Mixer / Supervising Sound Editor
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Supervising Sound Editor
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Sound Designer
Robot & Frank (2012)
Directed by: Jake Schreier
Cinematography by: Matthew J. Lloyd
Edited by: Jacob Craycroft
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Sound Effects Editor
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Re-recording Mixer
Time Freak (2011)
Directed by: Andrew Bowler
Cinematography by: Luke Geissbuhler
Edited by: Geoffrey Richman
Sound Designer
If a Tree Falls: A Story of the Earth Liberation Front (2011)
Cinematography by: Sam Cullman
Sound Effects Editor
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Supervising Sound Editor
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Re-recording Mixer / Supervising Sound Editor
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Re-recording Mixer: C5
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Re-recording Mixer
Beastie Boys: Fight for Your Right Revisited (2011)
Directed by: Adam Yauch
Cinematography by: Wyatt Troll
Edited by: Neal Usatin
Supervising Sound Editor
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Supervising Sound Editor
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Re-recording Mixer / Supervising Sound Editor
It's Kind of a Funny Story (2010)
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Re-recording Mixer / Supervising Sound Editor
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Re-recording Mixer
Tenderness (2009)
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Re-recording Mixer / Supervising Sound Editor
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Re-recording Mixer
ExTerminators (2009)
Directed by: John Inwood
Cinematography by: Robby Baumgartner
Edited by: Gordon Grinberg
Re-recording Mixer / Supervising Sound Editor
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Sound Editor
Living in Emergency (2008)
Directed by: Mark N. Hopkins
Cinematography by: Sebastian Ischer
Sound Designer / Supervising Sound Editor
Hounddog (2007)
Directed by: Deborah Kampmeier
Edited by: Sabine Hoffman
Re-recording Mixer / Supervising Sound Editor
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Sound Designer
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Re-recording Mixer / Supervising Sound Editor
A Guide to Recognizing Your Saints (2006)
Directed by: Dito Montiel
Cinematography by: Eric Gautier
Re-recording Mixer
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Sound Effects Editor
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Sound Effects Editor
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Additional Sound Designer
The Last Winter (2006)
Directed by: Larry Fessenden
Cinematography by: G. Magni Ágústsson
Edited by: Larry Fessenden
Re-recording Mixer
God Grew Tired of Us (2006)
Re-recording Mixer - Segment "Jesus Children Of America"
All the Invisible Children (2005)
Directed by: Mehdi Charef, Emir Kusturica, Spike Lee, Kátia Lund, Jordan Scott, Ridley Scott, Stefano Veneruso, John Woo
Cinematography by: Philippe Brelot, Cliff Charles, Changwei Gu, Toca Seabra, Vittorio Storaro, Jim Whitaker, Nianping Zeng, Michel Amathieu
Music Editor, Sound Designer
12 and Holding (2005)
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Re-recording Mixer / Supervising Sound Editor
The Ice Harvest (2005)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Edited by: Lee Percy
Sound Effects Editor
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Sound Effects Editor
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Music Editor, Sound Designer
The Station Agent (2003)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Sound Effects Editor
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Sound Editor
Dancemaker (1998)
Directed by: Matthew Diamond
Cinematography by: Tom Hurwitz
Edited by: Pam Wise
Sound Editor / Sound Mixer
The Farm: Angola, USA (1998)
Sound Editor: Dog Bark Sound
Hurricane Streets (1997)
Directed by: Morgan J. Freeman
Cinematography by: Enrique Chediak
Edited by: Sabine Hoffman
