Senior Compositor: TPO VFX
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Compositor
'Brave New World' Pilot (2020)
Directed by: Owen Harris
Cinematography by: Gustav Danielsson
Edited by: Tom Hemmings
Digital Compositor
'Brave New World' Everybody Happy Now! (2020)
Directed by: Craig Zisk
Cinematography by: Andrew Commis
Edited by: Dominic Strevens
Digital Compositor - 3 Episodes, 2020
Brave New World (2020)
Digital Compositor
The Aeronauts (2019)
Directed by: Tom Harper
Cinematography by: George Steel
Edited by: Mark Eckersley
Cameras: Red Monstro 8K Camera
Digital Compositor
Bohemian Rhapsody (2018)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Editing System: Avid Editing System
Roto/prep Artist: Cinesite
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Compositor
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Post-vis Compositor
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Roto/prep Artist: Cinesite
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Element Supervisor: Prime Focus
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Element Supervisor
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Element Supervisor
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Stereo Conversion Colead
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Element Supervisor: Prime Focus
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Element Supervisor: Prime Focus
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Elements Supervisor
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Element Qc Lead , Stereoscopic Compositor: Prime Focus World
World War Z (2013)
Directed by: Marc Forster
Stereoscopic Conversion Compositor
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Stereoscopic Conversion Compositor
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Stereo Artist: Prime Focus World
Frankenweenie (2012)
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Lead Element Qc Artist
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Stereoscopic Conversion Compositor
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Stereoscopic Conversion Compositor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Stereoscopic Conversion Compositor
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Stereoscopic Conversion Compositor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Stereoscopic Conversion Compositor
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Digital Compositor
'Brave New World' Want & Consequence (0)
Directed by: Owen Harris
Cinematography by: Gustav Danielsson
Edited by: Sacha Szwarc
