Visual Effects Executive Producer
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Visual Effects Executive Producer
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Visual Effects Executive Producer
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Visual Effects Executive Producer
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Visual Effects Executive Producer
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Visual Effects Executive Producer
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Visual Effects Executive Producer
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Senior Visual Effects Producer
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Visual Effects Producer
Twixt (2011)
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Senior Visual Effects Producer: Spy Post
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Senior Staff: The Orphanage
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Visual Effects Executive Producer: The Orphanage
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Senior Visual Effects Producer: The Orphanage
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Senior Visual Effects Producer
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Visual Effects Producer
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Producer
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Visual Effects Producer: Gray Matter
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Visual Effects Producer
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Visual Effects Plate Producer
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Production Coordinator, Visual Effects Coordinator
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Computer Graphics Coordinator / Digital Production Manager
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
