Greg Waddle

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Black Panther | ShotOnWhat?

Rigging Grip

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Rigging Grip

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Allegiant | ShotOnWhat?

Grip: Second Unit

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Nice Guys | ShotOnWhat?

Grip

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Furious 7 | ShotOnWhat?

Grip

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Need for Speed | ShotOnWhat?

Stand-by Greens

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

No Good Deed | ShotOnWhat?

Special Effects Technician

No Good Deed (2014)

Directed by: Sam Miller

Cinematography by: Michael Barrett

Edited by: Randy Bricker, Jim Page

Cameras: Sony CineAlta F65 Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Scary Movie 5 | ShotOnWhat?

Special Effects Technician

Scary Movie 5 (2013)

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

The Odd Life of Timothy Green | ShotOnWhat?

Special Effects Technician

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Flight | ShotOnWhat?

Set Dresser

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Hall Pass | ShotOnWhat?

Special Effects Technician

Hall Pass (2011)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Killers | ShotOnWhat?

Standby Greens

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

Drop Dead Diva | ShotOnWhat?

On-set Dresser

Drop Dead Diva (2009)

Television Series

Cinematography by: David A. Makin, Lloyd Ahern II, Jules Labarthe, Dermott Downs

Edited by: Augie Hess, Tirsa Hackshaw, John Murray, Noah Pontell, Justin Bourret, Thomas R. Moore, Jim Page, J. Scott Harvey

Cameras: Panavision Genesis Camera

Halloween II | ShotOnWhat?

Swing Gang Boss

Halloween II (2009)

Directed by: Rob Zombie

Cinematography by: Brandon Trost

Edited by: Glenn Garland, Joel T. Pashby

Cameras: ARRI Cameras

My Fake Fiance | ShotOnWhat?

Picture Car Coordinator

My Fake Fiancé (2009)

Television Movie

Directed by: Gil Junger

Cinematography by: Greg Gardiner

Edited by: Don Brochu, Michael Brown

One Missed Call | ShotOnWhat?

Set Dresser

One Missed Call (2008)

Directed by: Eric Valette

Cinematography by: Glen MacPherson

Edited by: Steve Mirkovich

We Are Marshall | ShotOnWhat?

Set Dresser

We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

ATL | ShotOnWhat?

Grip, Set Dresser

ATL (2006)

Directed by: Chris Robinson

Cinematography by: Karsten Gopinath

Edited by: David Blackburn

Run Ronnie Run | ShotOnWhat?

Additional On-set Dresser

Run Ronnie Run (2002)

Directed by: Troy Miller

Cinematography by: Shawn Maurer

Edited by: Dean Holland

Minority Report | ShotOnWhat?

Set Dresser

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Equilibrium | ShotOnWhat?

Swing Gang

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Ali | ShotOnWhat?

Additional Buyer

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Legend of Bagger Vance | ShotOnWhat?

Additional Buyer

The Legend of Bagger Vance (2000)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Hank Corwin

Remember the Titans | ShotOnWhat?

Additional Buyer / Props

Remember the Titans (2000)

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

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