Gaffer: Los Angeles
Bardo: False Chronicle of a Handful of Truths (2022)
Directed by: Alejandro G. Iñárritu
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA 65 Camera
Gaffer
Ambulance (2022)
Directed by: Michael Bay
Cinematography by: Roberto De Angelis
Cameras: Red Epic Helium Camera, Red Komodo Camera
Gaffer
F9 (2021)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Vista Cinema Prime Lenses
Gaffer: Action Unit
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Gaffer: Action Unit
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Gaffer: Additional Photography
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Gaffer
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Gaffer: Las Vegas Second Unit
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Gaffer
Lights Out (2016)
Directed by: David F. Sandberg
Cinematography by: Marc Spicer
Cameras: ARRI ALEXA Camera
Gaffer / Gaffer: Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Gaffer: Second Unit
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Chief Lighting Technician: Second Unit
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Gaffer
'Mad Men' The Quality of Mercy (2013)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Gaffer
'Mad Men' Favors (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' A Tale of Two Cities (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Gaffer
'Mad Men' The Better Half (2013)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Gaffer
'Mad Men' The Crash (2013)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' Man with a Plan (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Gaffer
'Mad Men' For Immediate Release (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Chris Figler
Gaffer
'Mad Men' The Flood (2013)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Gaffer
'Mad Men' To Have and to Hold (2013)
Directed by: Michael Uppendahl
Cinematography by: Jeffrey Jur
Edited by: Christopher Gay
Gaffer
'Mad Men' Collaborators (2013)
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Chris Figler
Gaffer
'Mad Men' The Doorway, Part 2 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' The Doorway, Part 1 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
The Babymakers (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Brad Katz
Gaffer
'Mad Men' Commissions and Fees (2012)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Christopher Gay
Gaffer
'Mad Men' The Other Woman (2012)
Directed by: Phil Abraham
Cinematography by: Don Devine
Edited by: Tom Wilson
Gaffer
'Mad Men' Lady Lazarus (2012)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' Dark Shadows (2012)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Gaffer
'Mad Men' Christmas Waltz (2012)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Gaffer
'Mad Men' At the Codfish Ball (2012)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Gaffer
'Mad Men' Far Away Places (2012)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Gaffer
'Mad Men' Signal 30 (2012)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' Mystery Date (2012)
Directed by: Matt Shakman
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Gaffer
'Mad Men' Tea Leaves (2012)
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' A Little Kiss, Part 1 (2012)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Gaffer
'Mad Men' A Little Kiss, Part 2 (2012)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Gaffer: Second Unit
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Gaffer - 1 Episode, 2011
Homeland (2011)
Directed by: Lesli Linka Glatter, Michael Cuesta, Daniel Attias, Alex Graves, Keith Gordon, Tucker Gates, Clark Johnson, Seith Mann, Guy Ferland, Michael Offer, Michael Klick, Jeffrey Nachmanoff, Carl Franklin, Charlotte Sieling, Brad Turner, John Dahl, Lodge Kerrigan, Jeremy Podeswa, David Semel, Daniel Minahan, David Nutter, Jeffrey Reiner, John David Coles, Nelson McCormick
Edited by: Jordan Goldman, Philip Carr Neel, Harvey Rosenstock, Joe Hobeck, Terry Kelley, Michael Ruscio, Sarah Zeitlin, Garret Donnelly, Victoria Grimsley, David Latham
Cameras: ARRI ALEXA Camera, Red Epic Camera
Gaffer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Gaffer
'Mad Men' Tomorrowland (2010)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' Chinese Wall (2010)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Gaffer
'Mad Men' Hands and Knees (2010)
Directed by: Lynn Shelton
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' The Beautiful Girls (2010)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Pattye Rogers
Gaffer
'Mad Men' The Summer Man (2010)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Gaffer
'Mad Men' Waldorf Stories (2010)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' The Suitcase (2010)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' The Rejected (2010)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' The Chrysanthemum and the Sword (2010)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Gaffer
'Mad Men' Christmas Comes But Once a Year (2010)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Gaffer
'Mad Men' The Good News (2010)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' Public Relations (2010)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer: Additional Photography
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Gaffer
'Mad Men' Shut the Door. Have a Seat (2009)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' The Grown-Ups (2009)
Directed by: Barbet Schroeder
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' The Gypsy and the Hobo (2009)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Gaffer
'Mad Men' The Color Blue (2009)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' Souvenir (2009)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' Wee Small Hours (2009)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' Seven Twenty Three (2009)
Directed by: Daisy von Scherler Mayer
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' Guy Walks Into an Advertising Agency (2009)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' The Fog (2009)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' The Arrangements (2009)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' My Old Kentucky Home (2009)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' Love Among the Ruins (2009)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' Out of Town (2009)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' Meditations in an Emergency (2008)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' The Mountain King (2008)
Directed by: Alan Taylor
Cinematography by: Chris Manley
Edited by: Cindy Mollo
Gaffer
'Mad Men' The Jet Set (2008)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' The Inheritance (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Gaffer
'Mad Men' Six Month Leave (2008)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' A Night to Remember (2008)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Edited by: Cindy Mollo
Gaffer
'Mad Men' The Gold Violin (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Edited by: Tom Wilson
Gaffer
'Mad Men' Maidenform (2008)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Cindy Mollo
Gaffer
'Mad Men' The New Girl (2008)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' Three Sundays (2008)
Directed by: Tim Hunter
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' The Benefactor (2008)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Gaffer
'Mad Men' Flight 1 (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Gaffer
'Mad Men' For Those Who Think Young (2008)
Directed by: Tim Hunter
Cinematography by: Chris Manley
Chief Lighting Technician - 1 Episode, 2007
Greek (2007)
Directed by: Michael Lange, Patrick R. Norris, Gil Junger, Nick Marck, Fred Gerber, Melanie Mayron, Lee Rose, Norman Buckley, Fred Savage, Shawn Piller, Ellie Kanner, Perry Lang, Michael Lembeck, Rachel Talalay, Linda Mendoza, Sandy Smolan, Tim Matheson, Rick Rosenthal, John T. Kretchmer, Mark Rosman, Michael Grossman, Lee Shallat Chemel
Gaffer: Second Unit
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Gaffer - 75 Episodes, 2007-2013
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Chief Lighting Technician
'Greek' Pilot (2007)
Directed by: Gil Junger
Cinematography by: Edward J. Pei
Edited by: Adam Wolfe
Gaffer
'Mad Men' The Wheel (2007)
Directed by: Matthew Weiner
Cinematography by: Steve Mason
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' Nixon vs. Kennedy (2007)
Directed by: Alan Taylor
Cinematography by: Steve Mason
Edited by: Christopher Nelson
Gaffer
'Mad Men' Indian Summer (2007)
Directed by: Tim Hunter
Cinematography by: Steve Mason
Edited by: David Siegel
Gaffer
'Mad Men' Long Weekend (2007)
Directed by: Tim Hunter
Cinematography by: Bill Roe
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' Shoot (2007)
Directed by: Paul Feig
Cinematography by: Bill Roe
Edited by: David Siegel
Gaffer
'Mad Men' The Hobo Code (2007)
Directed by: Phil Abraham
Cinematography by: Steve Mason
Edited by: Leo Trombetta
Gaffer
'Mad Men' Red in the Face (2007)
Directed by: Tim Hunter
Cinematography by: Frank G. DeMarco
Edited by: David Siegel
Gaffer
'Mad Men' New Amsterdam (2007)
Directed by: Tim Hunter
Cinematography by: Phil Abraham
Edited by: Malcolm Jamieson
Gaffer
'Mad Men' 5G (2007)
Directed by: Lesli Linka Glatter
Cinematography by: Frank G. DeMarco
Edited by: Leo Trombetta
Gaffer
'Mad Men' Marriage of Figaro (2007)
Directed by: Ed Bianchi
Cinematography by: Phil Abraham
Edited by: David Siegel
Chief Lighting Technician
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Gaffer: Additional Photography
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Gaffer: Additional Photography
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Rigging Gaffer
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Set Lighting Technician
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Gaffer: Second Unit
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Rigging Gaffer
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Rigging Electrician
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Best Boy Electric
Kiss Toledo Goodbye (1999)
Directed by: Lyndon Chubbuck
Cinematography by: Frank Byers
Edited by: Rebecca Ross
Set Lighting Technician
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
