Sound Recordist
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Sound Recordist
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Recordist
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Sound Recordist
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Sound Recordist
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Sound Recordist
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Stage Recordist
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Sound Recordist
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Score Recordist
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Sound Recordist
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Sound Recordist
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Sound Recordist
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Sound Recordist
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Stage Recordist: Robert Wise
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Sound Recordist
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Sound Recordist
Who Killed Atlanta's Children? (2000)
Directed by: Charles Robert Carner
Cinematography by: Michael Goi
Edited by: Marc Leif
Sound Recordist
Wild Things (1998)
Directed by: John McNaughton
Cinematography by: Jeffrey L. Kimball
Edited by: Elena Maganini
Sound Recordist
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Sound Recordist
The Replacement Killers (1998)
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Sound Recordist
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Sound Re-recording Machine Room Crew
Last Man Standing (1996)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Stage Recordist
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Dubbing Re-recordist
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Dubbing Re-recordist: Todd-AO Studios
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Stage Recordist: Skywalker Sound
True Romance (1993)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Stage Recordist
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Stage Recordist: Skywalker Sound
Thunderheart (1992)
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Recordist: Skywalker Sound
Raising Cain (1992)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Recordist: Skywalker Sound
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Recordist
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Recordist
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Recordist
City Slickers (1991)
Directed by: Ron Underwood
Cinematography by: Dean Semler
Edited by: O. Nicholas Brown
Music Recordist, Recordist: Skywalker Sound
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Recordist
Love at Large (1990)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Recordist: JDH Sound
Driving Miss Daisy (1989)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses