Special Effects Set Gangboss
'Euphoria' Out of Touch (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Aaron I. Butler
Special Effects Set Gangboss
'Euphoria' Ruminations: Big and Little Bullys (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Special Effects Set Gangboss
'Euphoria' You Who Cannot See, Think of Those Who Can (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Special Effects Set Gangboss
'Euphoria' Stand Still Like the Hummingbird (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Special Effects Set Gangboss
'Euphoria' A Thousand Little Trees of Blood (2022)
Directed by: Sam Levinson
Cinematography by: Rina Yang
Special Effects Set Gangboss
'Euphoria' The Theater and Its Double (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Special Effects Set Gangboss - 3 Episodes, 2022, Special Effects Set Gangboss - 7 Episodes, 2022-2025
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Model Maker: New Deal Studios
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Model Maker: Fantasy II Film Effects
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Visual Effects: New Deal Studios
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Model Maker: Cinema Production Services, Inc.
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Mold Maker
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Miniature Crew
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Model Maker: Fantasy II
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Modelshop Crew: Cinema Production Services, Inc.
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Model Maker
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Model Maker: Dream Quest Images
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Modelmaker: Fantasy II Film Effects
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Model Maker: Thunderstone
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Model Maker: Grant McCune Design
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Model Builder: DQI
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Model Maker
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Model Maker: Boss Film Studios
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Lead Model Maker: Boss Film Studios
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Model Maker: Grant McCune Design
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Model Maker: Model Department
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Model Maker: Art, Sculpture And Production, Inc.
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Makeup Artist: Robert Short Makeup Effects Crew
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon
