Matthew W. Johnson

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John Wick: Chapter 4 | ShotOnWhat?

Finishing Editor: Company 3

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Ambulance | ShotOnWhat?

Finishing Editor: Company 3

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

The Last Duel | ShotOnWhat?

Finishing Editor: Company 3

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

6 Underground | ShotOnWhat?

Finishing Editor: Company 3

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Avengers: Endgame | ShotOnWhat?

Senior Finishing Editor: Company 3

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Finishing Editor: Company 3

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

A Star Is Born | ShotOnWhat?

Digital Intermediate Editor

A Star Is Born (2018)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Skyscraper | ShotOnWhat?

Finishing Editor: Company 3

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Overlord | ShotOnWhat?

Finishing Editor: Company 3

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Roman J. Israel, Esq. | ShotOnWhat?

Finishing Editor: Company 3

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Transformers: The Last Knight | ShotOnWhat?

Finishing Editor: Company 3

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Digital Conform: Company 3

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Digital Conform: Company 3

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

A Cure for Wellness | ShotOnWhat?

Digital Conform: Company 3

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Digital Conform: Company 3

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Entourage | ShotOnWhat?

Digital Conform: Company 3

Entourage (2015)

Directed by: Doug Ellin

Cinematography by: Steven Fierberg

Edited by: Jeff Groth

Cameras: ARRICAM Lite (LT) Camera

Jurassic World | ShotOnWhat?

Digital Conform: Company 3

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Transformers: Age of Extinction | ShotOnWhat?

Digital Conform: Company 3

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Anchorman 2: The Legend Continues | ShotOnWhat?

Digital Conform: Company 3

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

The Wolverine | ShotOnWhat?

Digital Intermediate Editor: Company 3

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Pain & Gain | ShotOnWhat?

Digital Conform: Company 3

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

G.I. Joe: Retaliation | ShotOnWhat?

Digital Conform: Company 3

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Broken City | ShotOnWhat?

Digital Conform: Company 3

Broken City (2013)

Directed by: Allen Hughes

Cinematography by: Ben Seresin

Edited by: Cindy Mollo

Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Digital Conform: Company 3

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Savages | ShotOnWhat?

Digital Conform: Company 3

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Digital Conform: Company 3

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Rango | ShotOnWhat?

Digital Conform: Company 3

Rango (2011)

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Digital Conform: Company 3

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Bridesmaids | ShotOnWhat?

Digital Conform: Company 3

Bridesmaids (2011)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Rum Diary | ShotOnWhat?

Digital Conform: Company 3

The Rum Diary (2011)

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Ultra Prime Lenses

The Green Hornet | ShotOnWhat?

Digital Conform: Company 3

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Lincoln Lawyer | ShotOnWhat?

Digital Conform: Company 3

The Lincoln Lawyer (2011)

Directed by: Brad Furman

Cinematography by: Lukas Ettlin

Edited by: Jeff McEvoy

Cameras: Red One MX Camera

Lenses: Panavision Primo Primes Spherical Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Digital Conform: Company 3 LA

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

A Nightmare on Elm Street | ShotOnWhat?

On-line Editor: Company 3 LA

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Sympathy for Delicious | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

Sympathy for Delicious (2010)

Directed by: Mark Ruffalo

Cinematography by: Christopher Norr

Edited by: Pete Beaudreau

The Tourist | ShotOnWhat?

Digital Conform: Company 3

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Switch | ShotOnWhat?

Digital Intermediate On-line Editor: Company 3

The Switch (2010)

Directed by: Josh Gordon, Will Speck

Cinematography by: Jess Hall

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Conspirator | ShotOnWhat?

Conform Artist: Company 3

The Conspirator (2010)

Directed by: Robert Redford

Cinematography by: Newton Thomas Sigel

Edited by: Craig McKay

The Maiden Heist | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

The Maiden Heist (2009)

Directed by: Peter Hewitt

Cinematography by: Ueli Steiger

Edited by: Carole Kravetz Aykanian

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

12 Rounds | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

12 Rounds (2009)

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Street Fighter: The Legend of Chun-Li | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

Street Fighter: The Legend of Chun-Li (2009)

Directed by: Andrzej Bartkowiak

Cinematography by: Geoff Boyle

Edited by: Derek Brechin, Niven Howie

The Perfect Game | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

The Perfect Game (2009)

Directed by: William Dear

Cinematography by: Bryan Greenberg

Edited by: Chris Conlee

Hamlet 2 | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

Hamlet 2 (2008)

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Jeff Freeman

Smart People | ShotOnWhat?

Iq Editor: Post Logic Studios

Smart People (2008)

Directed by: Noam Murro

Cinematography by: Toby Irwin

Edited by: Robert Frazen, Yana Gorskaya

The Mysteries of Pittsburgh | ShotOnWhat?

Iq Artist: Post Logic Studios

The Mysteries of Pittsburgh (2008)

Directed by: Rawson Marshall Thurber

Cinematography by: Michael Barrett

Edited by: Barbara Tulliver

Adventures of Power | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

Adventures of Power (2008)

Directed by: Ari Gold

Cinematography by: Lisa Wiegand

Edited by: Geraud Brisson

Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses: Zeiss Super Speed Lenses

Elite Squad | ShotOnWhat?

Digital Intermediate Editor: Post Logic Studios

Elite Squad (2007)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Daniel Rezende

Cameras: Panavision Cameras

Bordertown | ShotOnWhat?

Iq Artist, Iq Artist: Post Logic Studios

Bordertown (2007)

Directed by: Gregory Nava

Cinematography by: Reynaldo Villalobos

Edited by: Padraic McKinley

Halloween | ShotOnWhat?

Iq Artist: Post Logic Studios

Halloween (2007)

Directed by: Rob Zombie

Cinematography by: Phil Parmet

Edited by: Glenn Garland

Take | ShotOnWhat?

Iq Artist: Post Logic Studios

Take (2007)

Directed by: Charles Oliver

Cinematography by: Tristan Whitman

Edited by: Andrew McAllister

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Condemned | ShotOnWhat?

Iq Artist: Post Logic Studios

The Condemned (2007)

Directed by: Scott Wiper

Cinematography by: Ross Emery

Edited by: Derek Brechin

Grindhouse | ShotOnWhat?

Smoke Artist - Segment ": "Werewolf Women Of The SS"

Grindhouse (2007)

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Unknown | ShotOnWhat?

Inferno Artist

Unknown (2006)

Directed by: Simon Brand

Cinematography by: Steve Yedlin

Edited by: Luis Carballar, Paul Trejo

Sin City | ShotOnWhat?

Iq Artist: Post Logic Studios

Sin City (2005)

Directed by: Frank Miller, Robert Rodriguez, Quentin Tarantino

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDC-F950 Camera, Sony Other Camera

Editing System: Avid Editing System

Swimmers | ShotOnWhat?

Iq Artist: Post Logic Studios

Swimmers (2005)

Directed by: Doug Sadler

Cinematography by: Rodney Taylor

Edited by: Lilah Bankier, Affonso Gonçalves, Susan Korda

The Adventures of Sharkboy and Lavagirl 3-D | ShotOnWhat?

On-line Editor: Post Logic Studios

The Adventures of Sharkboy and Lavagirl 3-D (2005)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Sangre | ShotOnWhat?

Iq Artist: Post Logic Studios

Sangre (2005)

Directed by: Amat Escalante

Cinematography by: Alex Fenton

Edited by: Amat Escalante

Undertow | ShotOnWhat?

Iq Artist: Post Logic Studios

Undertow (2004)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Zene Baker, Steven Gonzales

Starship Troopers 2: Hero of the Federation | ShotOnWhat?

On-line Editor: Post Logic Studios

Starship Troopers 2: Hero of the Federation (2004)

Direct to Video

Directed by: Phil Tippett

Cinematography by: Christian Sebaldt

Edited by: Louise Rubacky

Cameras: Panasonic AJ-HDC27 Varicam Camera

Walking Tall | ShotOnWhat?

Iq Artist: Post Logic Studios

Walking Tall (2004)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: George Bowers, Robert Ivison

Spy Kids 3-D: Game Over | ShotOnWhat?

On-line Editor: Post Logic Studios

Spy Kids 3-D: Game Over (2003)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

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