Andrew Hoehn Jr.

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First Assistant Camera: "a" Camera

Greenland (2020)

Motion Picture

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Gabriel Fleming

Cameras: ARRI ALEXA Mini Camera

"c" Camera First Assistant: Additional Photography

Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

First Assistant Camera: "b" Camera

First Man (2018)

Motion Picture

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

First Assistant Camera: "b" Camera / First Assistant Camera: "b" Camera, Second Unit

Black Panther (2018)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

First Assistant Camera: "c" Camera, Second Unit

Avengers: Infinity War (2018)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

First Assistant Camera: "a" Camera: Splinter Unit

The Fate of the Furious (2017)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

First Assistant Camera: "b" Camera

The Boss (2016)

Motion Picture

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leitz Summilux-C Series Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Additional First Assistant Camera

Batman v Superman: Dawn of Justice (2016)

Motion Picture

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

First Assistant Camera: "c" Camera

Furious 7 (2015)

Motion Picture

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

First Assistant Camera: "b" Camera

Selma (2014)

Motion Picture

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

First Assistant Camera: "b" Camera

Into the Storm (2014)

Motion Picture

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

First Assistant Camera

Jimmy P. (2013)

Motion Picture

Directed by: Arnaud Desplechin

Cinematography by: Stéphane Fontaine

Edited by: Laurence Briaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Steadicam Assistant

The Frontier Boys (2012)

Motion Picture

Directed by: John Grooters

Cinematography by: Bryan Papierski

Edited by: Vincent Boileau, John Grooters

First Assistant Camera: "a" Camera: Second Unit

Alex Cross (2012)

Motion Picture

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

First Assistant Camera: "a" Camera

Sparkle (2012)

Motion Picture

Directed by: Salim Akil

Cinematography by: Anastas N. Michos

Edited by: Terilyn A. Shropshire

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

First Assistant Camera: "b" Camera, U.S.

This Must Be the Place (2011)

Motion Picture

Directed by: Paolo Sorrentino

Cinematography by: Luca Bigazzi

Edited by: Cristiano Travaglioli

First Assistant Camera: "b" Camera

S.W.A.T.: Firefight (2011)

Direct to Video

Directed by: Benny Boom

Cinematography by: Don Davis

Cameras: Sony CineAlta F35 Camera

First Assistant Camera: "b" Camera

Cedar Rapids (2011)

Motion Picture

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Eric Kissack

First Assistant Camera: "a" Camera

Kill the Irishman (2011)

Motion Picture

Directed by: Jonathan Hensleigh

Cinematography by: Karl Walter Lindenlaub

Edited by: Douglas Crise

First Assistant Camera: "b" Camera

The Ides of March (2011)

Motion Picture

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

First Assistant Camera

Game of Death (2011)

Motion Picture

Directed by: Giorgio Serafini

Cinematography by: Erik Curtis

Edited by: Kevin Budzynski, Todd C. Ramsay

First Assistant Camera: "b" Camera

Flipped (2010)

Motion Picture

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Classic Spherical Lenses

First Assistant Camera: "a" Camera

Youth in Revolt (2009)

Motion Picture

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Andy Keir, Pamela Martin

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

First Assistant Camera: "a" Camera

Crossover (2006)

Motion Picture

Directed by: Preston A. Whitmore II

Cinematography by: Christian Sebaldt

Edited by: Stuart Acher, Anthony Adler

First Assistant Camera: Detroit

The Upside of Anger (2005)

Motion Picture

Directed by: Mike Binder

Cinematography by: Richard Greatrex

Edited by: Steve Edwards, Robin Sales

First Assistant Camera: Detroit

Four Brothers (2005)

Motion Picture

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon, Billy Fox

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

First Assistant Camera: Detroit

Driven (2001)

Motion Picture

Directed by: Renny Harlin

Cinematography by: Mauro Fiore

Edited by: Steve Gilson, Stuart Levy

Additional First Assistant Camera

Milk Money (1994)

Motion Picture

Directed by: Richard Benjamin

Cinematography by: David Watkin

Edited by: Jacqueline Cambas

Additional First Assistant Camera

Rudy (1993)

Motion Picture

Directed by: David Anspaugh

Cinematography by: Oliver Wood

Edited by: David Rosenbloom

Assistant Camera

The Fugitive (1993)

Motion Picture

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

Andrew Hoehn Jr.

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First Assistant Camera: "a" Camera

"c" Camera First Assistant: Additional Photography

First Assistant Camera: "b" Camera

First Assistant Camera: "b" Camera / First Assistant Camera: "b" Camera, Second Unit

First Assistant Camera: "c" Camera, Second Unit

First Assistant Camera: "a" Camera: Splinter Unit

First Assistant Camera: "b" Camera

Additional First Assistant Camera

First Assistant Camera: "c" Camera

First Assistant Camera: "b" Camera

First Assistant Camera: "b" Camera

First Assistant Camera

Steadicam Assistant

First Assistant Camera: "a" Camera: Second Unit

First Assistant Camera: "a" Camera

First Assistant Camera: "b" Camera, U.S.

First Assistant Camera: "b" Camera

First Assistant Camera: "b" Camera

First Assistant Camera: "a" Camera

First Assistant Camera: "b" Camera

First Assistant Camera

First Assistant Camera: "b" Camera

First Assistant Camera: "a" Camera

First Assistant Camera: "a" Camera

First Assistant Camera: Detroit

First Assistant Camera: Detroit

First Assistant Camera: Detroit

Additional First Assistant Camera

Additional First Assistant Camera

Assistant Camera