Eddy Wolfson

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John Wick: Chapter 4 | ShotOnWhat?

Digital Artist: WeFX

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

From | ShotOnWhat?

Compositor - 4 Episodes, 2023

From (2022)

Television Series

Directed by: Jack Bender, Brad Turner, Jennifer Liao, Jeff Renfroe, Alexandra La Roche

Cinematography by: Christopher Ball, David Geddes, David Greene, Dylan Macleod, Michael Wale

Edited by: Ana Yavari, Wendy Hallam Martin, Stephen Lawrence, Dan Briceno, Michele Conroy, Maxyme Tremblay

Cameras: ARRI ALEXA Series Cameras

No Time to Die | ShotOnWhat?

Compositor, Compositor: Stereo D

No Time to Die (2021)

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Compositor

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Avengers: Endgame | ShotOnWhat?

Senior Paint Artist

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ready or Not | ShotOnWhat?

Compositor

Ready or Not (2019)

Movie

Directed by: Matt Bettinelli-Olpin, Tyler Gillett

Cinematography by: Brett Jutkiewicz

Edited by: Terel Gibson

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke 5/i Lenses

Black Panther | ShotOnWhat?

Lead Stereo Compositor

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Avengers: Infinity War | ShotOnWhat?

Senior Paint Artist

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Solo: A Star Wars Story | ShotOnWhat?

Senior Paint Artist

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Skyscraper | ShotOnWhat?

Senior Paint Artist

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Meg | ShotOnWhat?

3d Conversion: Legend 3D

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Thor: Ragnarok | ShotOnWhat?

Lead Stereo Compositor

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Lead Stereo Compositor

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Lead Stereo Compositor

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Beautiful Planet | ShotOnWhat?

Lead Compositor: Legend Films

A Beautiful Planet (2016)

Directed by: Toni Myers

Cinematography by: James Neihouse

Edited by: Toni Myers

Cameras: Canon EOS-C500 Camera

Passengers | ShotOnWhat?

Lead Stereo Compositor

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Lead Stereo Compositor

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pete's Dragon | ShotOnWhat?

Lead Stereo Compositor: Legend 3d

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

Ghostbusters | ShotOnWhat?

Lead Stereo Compositor: Legend 3d

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Ben-Hur | ShotOnWhat?

Lead Stereo Compositor

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Doctor Strange | ShotOnWhat?

Lead Stereo Compositor

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Gods of Egypt | ShotOnWhat?

Lead Stereo Compositor: Legend 3d

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Finest Hours | ShotOnWhat?

Stereo Compositor

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

X-Men: Apocalypse | ShotOnWhat?

Lead Stereo Compositor: Legend 3d

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Creed | ShotOnWhat?

Lead Stereo Compositor

Creed (2015)

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

The Walk | ShotOnWhat?

Stereo Compositor

The Walk (2015)

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Lead Stereo Compositor

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Transformers: Age of Extinction | ShotOnWhat?

Stereo Compositor

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Lego Movie | ShotOnWhat?

Stereo Compositor

The Lego Movie (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Pablo Plaisted, Barry Peterson

Edited by: David Burrows, Chris McKay

Cameras: ARRI ALEXA Series Cameras

Editing System: Final Cut Pro Editing System

Maleficent | ShotOnWhat?

Stereo Compositor

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

The Amazing Spider-Man 2 | ShotOnWhat?

Stereo Compositor

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Stereo Compositor

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Man of Steel | ShotOnWhat?

Compositor: Legend 3D

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Oz the Great and Powerful | ShotOnWhat?

Compositor: Legend 3D

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Smurfs 2 | ShotOnWhat?

Stereo Compositor

The Smurfs 2 (2013)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Sabrina Plisco

Cameras: Sony CineAlta F65 Camera

The Amazing Spider-Man | ShotOnWhat?

Stereo Compositor: L3D

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Stereo Compositor: Legend 3D

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Hugo | ShotOnWhat?

Stereo Compositor: L3D

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Stereo Compositor

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Ghost Rider: Spirit of Vengeance | ShotOnWhat?

Stereo Compositor: L3D

Ghost Rider: Spirit of Vengeance (2011)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Brian Berdan

Cameras: Red One MX Camera

Priest | ShotOnWhat?

Stereo Compositor: Legend 3D / Stereoscopic Compositor: Legend 3D

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Smurfs | ShotOnWhat?

Stereo Compositor: Legend 3D

The Smurfs (2011)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Ellier Dov, Sabrina Plisco

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

Editing System: Avid Editing System

The Green Hornet | ShotOnWhat?

Stereo Compositor: Legend 3D

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Green Lantern | ShotOnWhat?

Stereoscopic Compositor: Legend 3D

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Top Gun | ShotOnWhat?

Compositor: Legend 3D - 3D Version 2013

Top Gun (1986)

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Chris Lebenzon, Billy Weber

Cameras: Panavision Cameras

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