Grip: NY Unit Additional Photography
Gemini Man (2019)
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Grip
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Dolly Grip: B Camera
Second Act (2018)
Directed by: Peter Segal
Cinematography by: Ueli Steiger
Edited by: Jason Gourson
Cameras: ARRI ALEXA Mini Camera
Dolly Grip: B Camera
'Homeland' The Return (2017)
Directed by: Alex Graves
Cinematography by: David Klein
Edited by: Philip Carr Neel
Dolly Grip: B Camera
'Homeland' R Is for Romeo (2017)
Directed by: Seith Mann
Cinematography by: Giorgio Scali
Edited by: Harvey Rosenstock
Dolly Grip: B Camera
'Homeland' America First (2017)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Dolly Grip: B Camera
'Homeland' Alt.truth (2017)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Harvey Rosenstock
Dolly Grip: B Camera
'Homeland' Sock Puppets (2017)
Directed by: Daniel Attias
Cinematography by: Giorgio Scali
Edited by: Philip Carr Neel
Dolly Grip: B Camera
'Homeland' The Flag House (2017)
Directed by: Michael Klick
Cinematography by: David Klein
Edited by: Jordan Goldman
Dolly Grip: B Camera
'Homeland' Imminent Risk (2017)
Directed by: Tucker Gates
Cinematography by: Giorgio Scali
Edited by: Jordan Goldman
Dolly Grip: B Camera
'Homeland' Casus Belli (2017)
Directed by: Alex Graves
Cinematography by: David Klein
Edited by: Harvey Rosenstock
Dolly Grip: B Camera
'Homeland' A Flash of Light (2017)
Directed by: Lesli Linka Glatter
Cinematography by: Giorgio Scali
Edited by: Jordan Goldman
Dolly Grip: B Camera
'Homeland' The Covenant (2017)
Directed by: Lesli Linka Glatter
Cinematography by: Giorgio Scali
Edited by: Jordan Goldman
Dolly Grip: B Camera
'Homeland' The Man in the Basement (2017)
Directed by: Keith Gordon
Cinematography by: David Klein
Edited by: Harvey Rosenstock
Second Unit: Key Grip
'Vinyl' Pilot (2016)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: David Tedeschi
Grip
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Grip: New York
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Vfx Grip, NY
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Second Unit: Key Grip - 1 Episode, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
Grip: New York
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Grip: New York
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Grip
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Company Grip
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Grip
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Grip
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Second Unit: Dolly Grip
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Grip: New York
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Grip
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Company Grip
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Company Grip
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Grip: New York
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Additional Rigging Grip
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Grip
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Key Grip: Additonal Photography
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Rigging Grip
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Grip
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Additional Rigging Grip
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Grip
Margin Call (2011)
Directed by: J.C. Chandor
Cinematography by: Frank G. DeMarco
Edited by: Pete Beaudreau
Additional Rigging Grip
Someday This Pain Will Be Useful to You (2011)
Directed by: Roberto Faenza
Cinematography by: Maurizio Calvesi
Edited by: Massimo Fiocchi
Dolly Grip: B Camera - 11 Episodes, 2017
Homeland (2011)
Directed by: Lesli Linka Glatter, Michael Cuesta, Daniel Attias, Alex Graves, Keith Gordon, Tucker Gates, Clark Johnson, Seith Mann, Guy Ferland, Michael Offer, Michael Klick, Jeffrey Nachmanoff, Carl Franklin, Charlotte Sieling, Brad Turner, John Dahl, Lodge Kerrigan, Jeremy Podeswa, David Semel, Daniel Minahan, David Nutter, Jeffrey Reiner, John David Coles, Nelson McCormick
Edited by: Jordan Goldman, Philip Carr Neel, Harvey Rosenstock, Joe Hobeck, Terry Kelley, Michael Ruscio, Sarah Zeitlin, Garret Donnelly, Victoria Grimsley, David Latham
Cameras: ARRI ALEXA Camera, Red Epic Camera
Additional Grip
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Additional Grip
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Grip: New York
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Additional Grip
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Additional Grip
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Grip: New York
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Rigging Grip
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Camera Production Assistant: Video
Factotum (2005)
Directed by: Bent Hamer
Cinematography by: John Christian Rosenlund
Edited by: Pål Gengenbach
