Stereoscopic Producer: Legendary Entertainment
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Executive Producer: Legend 3D
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Stereoscopic Supervisor: Alcon Entertainment
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Global Creative Director 3D: Prime Focus
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Global Creative Director 3D: Prime Focus
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Global Creative Director 3D: Prime Focus
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Global Creative Director 3D: Prime Focus
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Senior Stereoscopic Supervisor: Prime Focus
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Senior Stereographer: Prime Focus
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
View-d Senior Stereographer: Prime Focus
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Global Creative Director 3D: Prime Focus
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Senior Stereoscopic Supervisor: Prime Focus
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Senior Stereographer: Prime Focus
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Stereoscopic/visual Effects Supervisor: Sassoon Film Design
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Stereoscopic Supervisor: Sassoon Film Design
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Stereoscopic Compositing Supervisor: Zoic Studios
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Stereoscopic Supervisor: Sassoon Film Design
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Digital Supervisor
Hamlet 2 (2008)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Stereoscopic Supervisor: Sassoon Film Design
Grand Canyon Adventure: River at Risk (2008)
Directed by: Greg MacGillivray
Edited by: Stephen Judson
Stereoscopic Conversion Supervisor
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Visual Effects Supervisor: Sassoon Film Design
U2 3D (2007)
Edited by: Olivier Wicki
Cameras: Sony HDW-F900 Camera
Editing System: Avid Editing System
Compositing Supervisor
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Stereoscopic Compositor
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Digital Compositor: SFD VFX And Creative Post
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Digital Compositor
A Thousand Roads (2005)
Directed by: Chris Eyre
Cinematography by: Claudio Miranda
Edited by: Harry B. Miller III
Global Creative Director 3D: Prime Focus
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Digital Compositor / Stereoscopic Conversion Supervisor
Roar: Lions of the Kalahari (2005)
Directed by: Tim Liversedge
Edited by: Lori Petersen Waite
Digital Compositor
Spartan (2004)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Digital Artist
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Global Creative Director 3D: Prime Focus
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Senior Stereographer: Prime Focus
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Production Assistant: Motion Control Stage, Dream Quest Images
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Global Creative Director 3D
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
