Head Of Digital Production
Lovelace (2013)
Cinematography by: Eric Alan Edwards
Cameras: ARRIFLEX 416 Camera
Head Of Digital Production
The Way Way Back (2013)
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Digital Intermediate Supervisor: Fotokem
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Digital Intermediate Supervisor
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Digital Intermediate Supervisor: Fotokem
Magic Mike (2012)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Head Of Digital Production
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Digital Intermediate Supervisor
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Digital Intermediate Supervisor
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Digital Intermediate Supervisor
Contagion (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Digital Intermediate Supervisor
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Digital Intermediate Supervisor
The Ministers (2009)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Digital Intermediate Supervisor - 3-D Concert Material
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Digital Intermediate Supervisor
Jonas Brothers: The 3D Concert Experience (2009)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Digital Intermediate Supervisor
X Games 3D: The Movie (2009)
Directed by: Steven Lawrence
Cinematography by: Matt Goodman
Edited by: Todd Crites
Digital Intermediate Supervisor
The Forbidden Kingdom (2008)
Directed by: Rob Minkoff
Cinematography by: Peter Pau
Edited by: Eric Strand
Cameras: Panavision Genesis Camera
Digital Intermediate Supervisor
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Digital Intermediate Supervisor
Lower Learning (2008)
Directed by: Mark Lafferty
Cinematography by: David Robert Jones
Edited by: Shawna Callahan
Digital Intermediate Supervisor
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Digital Intermediate Supervisor
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Digital Intermediate Supervisor: Fotokem
Death Sentence (2007)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
Digital Intermediate Supervisor
Chapter 27 (2007)
Directed by: J.P. Schaefer
Cinematography by: Tom Richmond
Digital Intermediate Supervisor
Expired (2007)
Directed by: Cecilia Miniucchi
Cinematography by: Zoran Popovic
Digital Intermediate Supervisor: Fotokem Digital Film
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Digital Intermediate Supervisor
I Know Who Killed Me (2007)
Directed by: Chris Sivertson
Cinematography by: John R. Leonetti
Edited by: Lawrence Jordan
Digital Intermediate Supervisor
Electroma (2006)
Cinematography by: Thomas Bangalter
Edited by: Cédric Hervet
Digital Intermediate Supervisor: Fotokem Digital Film Services
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Digital Intermediate Supervisor: FotoKem Digital Film Services
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Digital Intermediate Supervisor
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Digital Intermediate Producer
Hustle & Flow (2005)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Cameras: Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Supervisor: Fotokem Digital Film Services
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Digital Intermediate Crew: Fotokem
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Digital Intermediate Supervisor
Innocent Voices (2004)
Directed by: Luis Mandoki
Cinematography by: Juan Ruiz Anchía
Edited by: Aleshka Ferrero
Senior Digital Color Timer
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Intermediate Supervisor
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Digital Color Timer: SPI
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Digital Color Timer: SPI
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Color Timer: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Digital Color Timer
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Digital Color Timer: SPI
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Color Grader: I/O Department, Pixel Liberation Front
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Digital Color Timer
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Post-production Executive
Rainbow (1995)
Directed by: Bob Hoskins
Cinematography by: Freddie Francis
Edited by: Ray Lovejoy
Color Timer
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Color Timer
The First Power (1990)
Directed by: Robert Resnikoff
Cinematography by: Theo van de Sande
Edited by: Michael Bloecher
Color Timer
The Long Walk Home (1990)
Directed by: Richard Pearce
Cinematography by: Roger Deakins
Edited by: Bill Yahraus
Color Timer
Do the Right Thing (1989)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
