Lead Digital Compositor: Weta FX
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Digital Compositor: MPC
The Lion King (2019)
Directed by: Jon Favreau
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA 65 Camera
Digital Compositor: Hybride
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Digital Compositor Supervisor: Rodeo FX
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Visual Effects: Rodeo FX
'Game of Thrones' Stormborn (2017)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Tim Porter
Digital Compositor: Rodeo FX
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Composition Supervisor: Rodeo FX
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Compositing Supervisor: Rodeo FX
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Digital Compositor: Rodeo FX
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor: Rodeo FX
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Digital Compositor: Rodeo FX / Senior Digital Compositor
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Digital Compositor: Rodeo FX / Senior Digital Compositor
Lucy (2014)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Visual Effects: Rodeo FX
'Game of Thrones' Breaker of Chains (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Visual Effects: Rodeo FX
'Game of Thrones' Oathkeeper (2014)
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Senior Digital Compositor
Brick Mansions (2014)
Directed by: Camille Delamarre
Cinematography by: Christophe Collette
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses
Senior Digital Compositor
En solitaire (2013)
Directed by: Christophe Offenstein
Cinematography by: Guillaume Schiffman
Cameras: Red Epic Camera, Red Scarlet Camera
Senior Digital Compositor
2 Days in New York (2012)
Directed by: Julie Delpy
Cinematography by: Lubomir Bakchev
Edited by: Isabelle Devinck
Cameras: ARRI ALEXA Camera, Sony HDW-750 Camera
Lead Digital Compositor
Mais qui a re-tué Pamela Rose? (2012)
Cinematography by: Régis Blondeau
Edited by: Elodie Codaccioni
Cameras: ARRI ALEXA Camera
Lead Digital Compositor
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Senior Digital Compositor
Amour (2012)
Directed by: Michael Haneke
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Senior Digital Compositor
Rust and Bone (2012)
Directed by: Jacques Audiard
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Red Epic Camera
Digital Compositor
Le fils à Jo (2011)
Directed by: Philippe Guillard
Cinematography by: Ludovic Colbeau-Justin
Cameras: ARRIFLEX 535 B Camera
Visual Effects: Rodeo FX - 3 Episodes, 2014-2017
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Digital Compositor
Poupoupidou (2011)
Directed by: Gérald Hustache-Mathieu
Cinematography by: Pierre Cottereau
Edited by: Valérie Deseine
Senior Digital Compositor
La délicatesse (2011)
Cinematography by: Rémy Chevrin
Edited by: Virginie Bruant
Cameras: Aaton Penelope Camera
Senior Digital Compositor
L'amour dure trois ans (2011)
Directed by: Frédéric Beigbeder
Cinematography by: Yves Cape
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Lenses
Visual Effects Artist
Les femmes du 6e étage (2010)
Directed by: Philippe Le Guay
Cinematography by: Jean-Claude Larrieu
Edited by: Monica Coleman
Digital Artist
Point Blank (2010)
Directed by: Fred Cavayé
Cinematography by: Alain Duplantier
Edited by: Benjamin Weill
