Zeiss Super Speed Lenses | 133 Titles
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
L’exercice de l’État (2011)
Directed by | Pierre Schoeller | Cinematography by | Julien Hirsch | Editing by | Laurence Briaud
Cameras | ARRI ALEXA Camera
Belizaire the Cajun (1986)
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Dangerous Liaisons (1988)
Directed by | Stephen Frears | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley
Cameras | Moviecam 3N Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
Moonrise Kingdom (2012)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
Argo (2012) 
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Jonah Lives (2015)
Directed by | Luis Carvalho | Cinematography by | Rich Marino, Jeremy Traub | Editing by | Luis Carvalho
Cameras | ARRI ALEXA Plus Camera
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Half Nelson (2006)
Directed by | Ryan Fleck | Cinematography by | Andrij Parekh | Editing by | Anna Boden
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Elizabeth (1998)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Junebug (2005)
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
Southern Justice (2006)
Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses
The Wings of the Dove (1997)
Directed by | Iain Softley | Cinematography by | Eduardo Serra | Editing by | Tariq Anwar
Cameras | ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
Rampart (2011)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Camera
Never Let Me Go (2010)
Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
Lovely, Still (2008)
Directed by | Nicholas Fackler | Cinematography by | Sean Kirby | Editing by | Douglas Crise
Cameras | Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
Eternal Sunshine of the Spotless Mind (2004)
Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir
Cameras | ARRICAM Lite (LT) Camera
Jackie Brown (1997)
Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke
Cameras | Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
