Zeiss Lenses | 190 Titles
Di Renjie: Tong tian di guo (2010)
Directed by | Hark Tsui | Cinematography by | Chi-Ying Chan, Chor Keung Chan | Editing by | Chi Wai Yau
Cameras | Red One Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Lenses
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
Johnny English (2003)
Directed by | Peter Howitt | Cinematography by | Remi Adefarasin | Editing by | Robin Sales
Lenses | Angenieux Lenses, Zeiss Lenses
The Fifth Element (1997)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses | Zeiss Lenses
Jin yi wei (2010)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka-Fai Cheung, Man To Tang
Lenses | Angenieux Lenses, Zeiss Lenses
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Run, Fatboy, Run (2007)
Directed by | David Schwimmer | Cinematography by | Richard Greatrex | Editing by | Michael Parker
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Tristram Shandy: A Cock and Bull Story (2005)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Peter Christelis
Cameras | Sony HDC-750 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
Silence Becomes You (2005)
Directed by | Stephanie Sinclaire | Cinematography by | Arturo Smith | Editing by | Toby Yates
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
Vampire Effect (2003)
Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan
Lenses | Angenieux Lenses, Zeiss Lenses
Cheong wong (2000)
Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Silent House (2011)
Directed by | Chris Kentis, Laura Lau | Cinematography by | Igor Martinovic
Cameras | Canon EOS-5D Mark II Camera
Lenses | Zeiss Compact Prime Lenses
It’s All About Love (2003)
Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Lenses
Death Valley Superstar (2008)
Directed by | Michael Yaroshevsky | Cinematography by | Glauco Bermudez, Michael Yaroshevsky | Editing by | Michael Yaroshevsky
Cameras | ARRIFLEX 35 BL Camera
24 7: Twenty Four Seven (1997)
Directed by | Shane Meadows | Cinematography by | Ashley Rowe | Editing by | William Diver
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Lenses
