Zeiss Lenses | 179 Titles
Courageous (2011)
Directed by | Alex Kendrick | Cinematography by | Bob Scott | Editing by | Bill Ebel, Steve Hullfish, Alex Kendrick
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Lenses
Blue Valentine (2010)
Directed by | Derek Cianfrance | Cinematography by | Andrij Parekh | Editing by | Jim Helton, Ron Patane
Cameras | ARRIFLEX 416 Camera, Red One Camera
Lenses | Angenieux Lenses, Zeiss Lenses
10,000 BC (2008)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | Alexander Berner
Cameras | ARRI Cameras, Moviecam Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Parada (2011)
Directed by | Srdjan Dragojevic | Cinematography by | Dusan Joksimovic | Editing by | Petar Markovic
Lenses | Zeiss Lenses
Assassination of a High School President (2008)
Directed by | Brett Simon | Cinematography by | M. David Mullen | Editing by | William M. Anderson, Thomas J. Nordberg
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Clubbed to Death (Lola) (1996)
Directed by | Yolande Zauberman | Cinematography by | Denis Lenoir | Editing by | François Gédigier
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | Zeiss Lenses
Frozen River (2008)
Directed by | Courtney Hunt | Cinematography by | Reed Morano | Editing by | Kate Williams
Cameras | Panasonic AJ-HDC27 Varicam Camera
Lenses | Zeiss DigiPrime Lenses
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
Di Renjie: Tong tian di guo (2010)
Directed by | Hark Tsui | Cinematography by | Chi-Ying Chan, Chor Keung Chan | Editing by | Chi Wai Yau
Cameras | Red One Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Lenses
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
Johnny English (2003)
Directed by | Peter Howitt | Cinematography by | Remi Adefarasin | Editing by | Robin Sales
Lenses | Angenieux Lenses, Zeiss Lenses
The Fifth Element (1997)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses | Zeiss Lenses
Jin yi wei (2010)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka-Fai Cheung, Man To Tang
Lenses | Angenieux Lenses, Zeiss Lenses
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Run, Fatboy, Run (2007)
Directed by | David Schwimmer | Cinematography by | Richard Greatrex | Editing by | Michael Parker
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
