Zeiss Lenses | 190 Titles
The House on Carroll Street (1987)
Directed by | Peter Yates | Cinematography by | Michael Ballhaus | Editing by | Ray Lovejoy
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Mang lung (2005)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Wai Chiu Chung
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Nadine (1987)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
To Save a Life (2009)
Directed by | Brian Baugh | Cinematography by | C. Clifford Jones | Editing by | Dan O'Brien, Sarah Sanders
Cameras | Red One Camera
17 filles (2011)
Directed by | Delphine Coulin, Muriel Coulin | Cinematography by | Jean-Louis Vialard | Editing by | Guy Lecorne
Lenses | Zeiss Compact Prime Lenses
Best in Show (2000)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton Cameras
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Zodiac (2007)
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | Angus Wall
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
Brazil (1985)
Directed by | Terry Gilliam | Cinematography by | Roger Pratt | Editing by | Julian Doyle
Cameras | J-D-C Camera
Lenses | Kinoptik Lenses, Zeiss Lenses
Total Recall (1990)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Carlos Puente, Frank J. Urioste
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Galaxy of Terror (1981)
Directed by | Bruce D. Clark | Cinematography by | Jacques Haitkin, Austin McKinney | Editing by | Larry Bock, R.J. Kizer, Barry Zetlin
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
Billy Elliot (2000)
Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Breaking the Waves (1996)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
Jodhaa Akbar (2008)
Directed by | Ashutosh Gowariker | Cinematography by | Kiran Deohans | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
A Crime (2006)
Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Naked Weapon (2002)
Directed by | Siu-Tung Ching | Cinematography by | Sung Fai Choi | Editing by | Angie Lam
Lenses | Angenieux Lenses, Zeiss Lenses
