See product pages for our various lenses.
Cooke Lenses | 537 Titles
Phone: +1 44 (0)116 264 0700 / +1 973 335 4460
Contact: Alison Greene
Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893. Current products Cooke S4/i, 5/i, miniS4/i, Anamorphic/i, Anamorphic/i SF, Anamorphic/i 35-140mm Zoom, Panchro/i Classic, S7/i Full Frame Plus lenses, Cooke Lens Projector, Multi Mounts.
Measure of a Man (2018)
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Call the Midwife (2012)
| Cinematography by | Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce | Editing by | Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras | ARRIFLEX D-21 Camera
American Pie 2 (2001)
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé
Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
Transformers (2007)
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Gamer (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Altered Carbon (2018)
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
R.L. Stine’s The Haunting Hour (2010)
| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens
The Flash (2014)
| Cinematography by | C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard | Editing by | Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
Hulk (2003)
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres
Cameras | ARRIFLEX 535 B Camera
Crown Vic (2019)
Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
The Neon Demon (2016)
Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman
Lenses | Cooke Lenses, Cooke Xtal Express Lenses
Three Night Stand (2013)
Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis
Cameras | ARRI ALEXA FR Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
Pickings (2018)
Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan
The Institute (2017)
Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses
Status Update (2018)
Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses
The Bookshop (2017)
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu | Editing by | Bernat Aragonés
Cameras | ARRI ALEXA XT Plus Camera
Cat and Mouse (2015)
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek
Cameras | Red One Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
Pete’s Dragon (2016)
Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke Anamorphic/i Prime Lenses
Capsule (2015)
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
Nine Lives (2016)
Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses
