Vertical Film Print Orientation | 1284 Titles
Identity (2003)
Moonlight Mile (2002)
Directed by | Brad Silberling | Cinematography by | Phedon Papamichael | Editing by | Lisa Zeno Churgin
Cameras | Panavision Panaflex Camera
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
Clash of the Titans (2010)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh
Scott Pilgrim vs. the World (2010)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Days of Thunder (1990)
Directed by | Tony Scott | Cinematography by | Ward Russell | Editing by | Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Army of One (1993)
Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton
Cameras | Todd-AO CineSpace 70 Camera
L.A. Confidential (1997)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Passion in the Desert (1997)
Alex Rider: Operation Stormbreaker (2006)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Great Expectations (1998)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Interlocked: Thrilled to Death (1998)
Directed by | Rick Jacobson | Cinematography by | Jesse Weathington | Editing by | Jeffrey Schwarz
Cameras | ARRIFLEX Camera
…And Then She Was Gone (1991)
Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Red Riding Hood (2011)
Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong
The Ghost and the Darkness (1996)
Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
[REC] 3: Genesis (2012)
![[REC] 3: Genesis | ShotOnWhat?](/images/1649444-small.jpg "Details for [REC] 3: Genesis")
Directed by | Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses
A Night at the Roxbury (1998)
Directed by | John Fortenberry | Cinematography by | Francis Kenny | Editing by | Jay Kamen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Special Relationship (2010)
Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
30 Days of Night: Dark Days (2010)
Directed by | Ben Ketai | Cinematography by | Eric Maddison | Editing by | Darrin Navarro
Cameras | Sony CineAlta F35 Camera
