Vertical Film Print Orientation | 1284 Titles
Violent Cop (2000)
Directed by | Wai-Man Cheng | Cinematography by | Yuen Man Fung | Editing by | Angie Lam
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
The Fighter (2010)
3 Ninjas Kick Back (1994)
Directed by | Charles T. Kanganis | Cinematography by | Christopher Faloona | Editing by | Jeffrey Reiner, David Rennie
Cameras | ARRI Cameras
Takers (2010)
Directed by | John Luessenhop | Cinematography by | Michael Barrett | Editing by | Armen Minasian
Cameras | ARRIFLEX 435 ES Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Playing by Heart (1998)
Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Platinum Camera
The Score (2001)
Coco Before Chanel (2009)
Directed by | Anne Fontaine | Cinematography by | Christophe Beaucarne | Editing by | Luc Barnier
Cameras | Panavision Panaflex Millennium XL Camera
A History of Violence (2005)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Antitrust (2001)
Directed by | Peter Howitt | Cinematography by | John Bailey | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
The Loss of a Teardrop Diamond (2008)
Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman
Cameras | Panavision Panaflex Platinum Camera
Dead Presidents (1995)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental
Cameras | Panavision Panaflex Gold II Camera
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
30 Days of Night (2007)
Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones
Cameras | Panavision Panaflex Millennium XL Camera
33 Days (2012)
Directed by | Jamal Shoorje | Cinematography by | Turaj Mansuri | Editing by | Hassan Ayoubi
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses
Green Lantern (2011)
Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
The Beaver (2011)
El Mariachi (1992)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRIFLEX 16S Camera
