Vertical Film Print Orientation | 1284 Titles
Andre (1994)
Directed by | George Miller | Cinematography by | Thomas Burstyn | Editing by | Harry Hitner, Patrick Kennedy
Cameras | ARRIFLEX 535 Camera
Lenses | Clairmont Anamorphic Lenses
The Haunting (1999)
Directed by | Jan de Bont | Cinematography by | Karl Walter Lindenlaub | Editing by | Michael Kahn
Cameras | Panavision Cameras, VistaVision Cameras
Lenses | Panavision Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
X: First Class (2011)
Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Shadowboxer (2005)
Directed by | Lee Daniels | Cinematography by | M. David Mullen | Editing by | William Chang, Brian A. Kates
Adoration (2008)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton, Issac Solemon
Drive, She Said (1997)
Directed by | Mina Shum | Cinematography by | Peter Wunstorf | Editing by | Michelle Floyd
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pars vite et reviens tard (2007)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Brokeback Mountain (2005)
Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor
Lenses | Cooke S4 Lenses
Tower Heist (2011)
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
Casa de mi Padre (2012)
Directed by | Matt Piedmont | Cinematography by | Ramsey Nickell | Editing by | David Trachtenberg
Cameras | Panavision Panaflex Gold II Camera
La conquête (2011)
Directed by | Xavier Durringer | Cinematography by | Gilles Porte | Editing by | Catherine Schwartz
Cameras | Moviecam Compact Camera
2 Days in New York (2012)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera
Jennifer 8 (1992)
Directed by | Bruce Robinson | Cinematography by | Conrad L. Hall | Editing by | Conrad Buff IV
Cameras | Panavision Panaflex Platinum Camera
Le code a changé (2009)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | Moviecam Compact MK2 Camera
Living Hell (2008)
Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove
Cameras | Panavision Cameras
À moi seule (2012)
Directed by | Frédéric Videau | Cinematography by | Marc Tevanian | Editing by | François Quiqueré
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
A Murder of Crows (1998)
Directed by | Rowdy Herrington | Cinematography by | Robert Primes | Editing by | Harry B. Miller III
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Diary of a Wimpy Kid (2010)
Directed by | Thor Freudenthal | Cinematography by | Jack N. Green | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
