Vertical Film Print Orientation | 1284 Titles
Atlas Shrugged: Part I (2011)
Directed by | Paul Johansson | Cinematography by | Ross Berryman | Editing by | Jim Flynn, Sherril Schlesinger
Cameras | Red One MX Camera
Forgetting Sarah Marshall (2008)
Directed by | Nicholas Stoller | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr
Cameras | Panavision Cameras
Lenses | Panavision Lenses
American Gun (2005)
Directed by | Aric Avelino | Cinematography by | Nancy Schreiber | Editing by | Richard Nord
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by | Jan de Bont | Cinematography by | David Tattersall | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Beat That My Heart Skipped (2005)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera
Lenses | Cooke S4 Lenses
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
Amarufi: Megami no hôshû (2009)
Directed by | Hiroshi Nishitani | Cinematography by | Hideo Yamamoto | Editing by | Masaaki Yamamoto
Waiting for Guffman (1996)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal
Cameras | Aaton Cameras, Aaton XTR Prod Camera
What Happens in Vegas (2008)
Directed by | Tom Vaughan | Cinematography by | Matthew F. Leonetti | Editing by | Matt Friedman
Cameras | Panavision Cameras
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
Acolytes (2008)
Directed by | Jon Hewitt | Cinematography by | Mark Pugh | Editing by | Simon Martin
Cameras | Thomson Viper Camera
The Core (2003)
Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
83 Hours ‘Til Dawn (1990)
Directed by | Donald Wrye | Cinematography by | Gideon Porath | Editing by | Curtis Freilich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Against the Ropes (2004)
Directed by | Charles S. Dutton | Cinematography by | Jack N. Green | Editing by | Eric L. Beason
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Angel-A (2005)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval
Heat (1995)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Pacific Rim (2013)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy
Cameras | Red Epic Camera
