Kodak Vision3 200T 5213/7213 Neg. Film | 84 Titles
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Bridesmaids (2011)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale
The Bourne Legacy (2012)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
The Descendants (2011)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
Hearat Shulayim (2011)
Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Abraham Lincoln: Vampire Hunter (2012)
The Iron Lady (2011)
Directed by | Phyllida Lloyd | Cinematography by | Elliot Davis | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
The Master (2012)
Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty
Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Moonrise Kingdom (2012)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Footloose (2011)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Wrath of the Titans (2012)
American Reunion (2012)
Directed by | Jon Hurwitz, Hayden Schlossberg | Cinematography by | Daryn Okada | Editing by | Jeff Betancourt
Cameras | Panavision Panaflex Platinum Camera
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
John Carter (2012)
Directed by | Andrew Stanton | Cinematography by | Dan Mindel | Editing by | Eric Zumbrunnen
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Battleship (2012)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
Eat Pray Love (2010)
