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Kodak Vision3 200T 5213/7213 Neg. Film | 84 Titles

Kodak Vision3 200T 5213/7213 Neg. Film 3.43/5 7 Votes

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The Favourite (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Love Witch (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller

Starring | Samantha Robinson, Jeffrey Vincent Parise, Laura Waddell, Gian Keys

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

The Old Man & the Gun (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | David Lowery | Cinematography by | Joe Anderson | Editing by | Lisa Zeno Churgin

Starring | Robert Redford, Casey Affleck, Sissy Spacek

Cameras | ARRIFLEX 416 Camera

Lenses | Canon Lenses, Cooke S4 Lenses

Mission: Impossible – Fallout (2018)

Motion Picture | 3D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton

Starring | Tom Cruise, Henry Cavill, Ving Rhames

Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Vox Lux (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.66:1 | 114 Minutes

Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam

Starring | Natalie Portman, Jude Law, Stacy Martin

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

The Mummy (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein

Starring | Tom Cruise, Sofia Boutella, Annabelle Wallis

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Post (2017)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Meryl Streep, Tom Hanks, Sarah Paulson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Roman J. Israel, Esq. (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Denzel Washington, Colin Farrell, Carmen Ejogo

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Aftersun (2022)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon

Starring | Paul Mescal, Frankie Corio, Celia Rowlson-Hall

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4/i Lenses

Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

Babylon (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 189 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Brad Pitt, Margot Robbie, Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Saltburn (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 131 Minutes

Directed by | Emerald Fennell | Cinematography by | Linus Sandgren | Editing by | Victoria Boydell

Starring | Barry Keoghan, Jacob Elordi, Archie Madekwe

Cameras | ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Grand Budapest Hotel (2014)

Motion Picture | 2D | 2K Project | Color | 1.37:1, 1.85:1, 2.39:1 | 99 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling

Starring | Ralph Fiennes, F. Murray Abraham, Mathieu Amalric

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Mission: Impossible – Ghost Protocol (2011)

Motion Picture | 2D | Color | 1.44:1, 2.35:1 | 132 Minutes

Mission: Impossible – Ghost Protocol | ShotOnWhat?

Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch

Starring | Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton

Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

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